Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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La historia es ayer
Descubre cómo un ladrillo del siglo 16 se adelantó a Ikea y cómo el VHS fue el precursor de Netflix. Viaja miles de años en el tiempo excavando unos pocos metros de tierra, aprende lo que los humanos no se atreven a decir removiendo entre su basura. Escrito y dirigido por Marcus H, el arqueólogo Alfredo González Ruibal nos acompaña en este viaje a lo más profundo de la condición humana.
Sir John Soane
Melvyn Bragg and guests discuss the architect Sir John Soane (1753 -1837), the son of a bricklayer. He rose up the ranks of his profession as an architect to see many of his designs realised to great acclaim, particularly the Bank of England and the Law Courts at Westminster Hall, although his work on both of those has been largely destroyed. He is now best known for his house in Lincoln’s Inn Fields in London, which he remodelled and crammed with antiquities and artworks: he wanted visitors to experience the house as a dramatic grand tour of Europe in microcosm. He became professor of architecture at the Royal Academy, and in a series of influential lectures he set out his belief in the power of buildings to enlighten people about “the poetry of architecture”. Visitors to the museum and his other works can see his trademark architectural features such as his shallow dome, which went on to inspire Britain's red telephone boxes.With: Frances Sands, the Curator of Drawings and Books at Sir John Soane’s MuseumFrank Salmon, Associate Professor of the History of Art at the University of Cambridge and Director of the Ax:son Johnson Centre for the Study of Classical ArchitectureAnd Gillian Darley, historian and author of Soane's biography.Producer: Eliane Glaser In Our time is a BBC Studios Audio production.Reading list:Barry Bergdoll, European Architecture 1750-1890 (Oxford University Press, 2000)Bruce Boucher, John Soane's Cabinet of Curiosities: Reflections on an Architect and His Collection (Yale University Press, 2024)Oliver Bradbury, Sir John Soane’s Influence on Architecture from 1791: An Enduring Legacy (Routledge, 2015)Gillian Darley, John Soane: An Accidental Romantic (Yale University Press, 1999)Ptolemy Dean, Sir John Soane and the Country Estate (Ashgate, 1999)Ptolemy Dean, Sir John Soane and London (Lund Humphries, 2006)Helen Dorey, John Soane and J.M.W. Turner: Illuminating a Friendship (Sir John Soane’s Museum, 2007)Tim Knox, Sir John Soane’s Museum (Merrell, 2015)Brian Lukacher, Joseph Gandy: An Architectural Visionary in Georgian England (Thames and Hudson, 2006)Susan Palmer, At Home with the Soanes: Upstairs, Downstairs in 19th Century London (Pimpernel Press, 2015)Frances Sands, Architectural Drawings: Hidden Masterpieces at Sir John Soane’s Museum (Batsford, 2021)Sir John Soane’s Museum, A Complete Description (Sir John Soane’s Museum, 2018)Mary Ann Stevens and Margaret Richardson (eds.), John Soane Architect: Master of Space and Light (Royal Academy Publications, 1999)John Summerson, Architecture in Britain 1530-1830 (9th edition, Yale University Press, 1993)A.A. Tait, Robert Adam: Drawings and Imagination (Cambridge University Press, 1993) John H. Taylor, Sir John Soane’s Greatest Treasure: The Sarcophagus of Seti I (Pimpernel Press, 2017)David Watkin, Sir John Soane: Enlightenment Thought and the Royal Academy Lectures (Cambridge University Press, 1996)David Watkin, Sir John Soane: The Royal Academy Lectures (Cambridge University Press, 2000)John Wilton-Ely, Piranesi, Paestum & Soane (Prestel, 2013)
Pope Joan
Melvyn Bragg and guests discuss a story that circulated widely in the middle ages about a highly learned woman who lived in the ninth century, dressed as a man, travelled to Rome, and was elected Pope.Her papacy came to a dramatic end when it was revealed that she was a woman, a discovery that is said to have occurred when she gave birth in the street. The story became a popular cautionary tale directed at women who attempted to transgress traditional roles, and it famously blurred the boundary between fact and fiction. The story lives on as the subject of recent novels, plays and films.With:Katherine Lewis, Honorary Professor of Medieval History at the University of Lincoln and Research Associate at the University of YorkLaura Kalas, Senior Lecturer in Medieval English Literature at Swansea UniversityAnd Anthony Bale, Professor of Medieval & Renaissance English at the University of Cambridge and Fellow of Girton College.Producer: Eliane GlaserReading list:Alain Boureau (trans. Lydia G. Cochrane), The Myth of Pope Joan (University of Chicago Press, 2001)Stephen Harris and Bryon L. Grisby (eds.), Misconceptions about the Middle Ages (Routledge, 2008), especially 'The Medieval Popess' by Vincent DiMarcoValerie R. Hotchkiss, Clothes Make the Man: Female Cross Dressing in Medieval Europe (Routledge, 1996)Jacques Le Goff, Heroes and Marvels of the Middle Ages (Reaktion, 2020), especially the chapter ‘Pope Joan’Marina Montesano, Cross-dressing in the Middle Ages (Routledge, 2024)Joan Morris, Pope John VIII - An English Woman: Alias Pope Joan (Vrai, 1985)Thomas F. X. Noble, ‘Why Pope Joan?’ (Catholic Historical Review, vol. 99, no.2, 2013)Craig M. Rustici, The Afterlife of Pope Joan: Deploying the Popess Legend in Early Modern England (University of Michigan Press, 2006)In Our Time is a BBC Studios Audio production
Socrates in Prison
Melvyn Bragg and guests discuss Plato's Crito and Phaedo, his accounts of the last days of Socrates in prison in 399 BC as he waited to be executed by drinking hemlock. Both works show Socrates preparing to die in the way he had lived: doing philosophy. In the Crito, Plato shows Socrates arguing that he is duty bound not to escape from prison even though a bribe would open the door, while in the Phaedo his argument is for the immortality of the soul which, at the point of death, might leave uncorrupted from the 'prison' of his body, the one escape that truly mattered to Socrates. His example in his last days has proved an inspiration to thinkers over the centuries and in no small way has helped ensure the strength of his reputation.WithAngie Hobbs Professor of the Public Understanding of Philosophy at the University of SheffieldFiona Leigh Associate Professor in the Department of Philosophy at University College LondonAnd James Warren Professor of Ancient Philosophy at the University of Cambridge and Fellow of Corpus Christi College, CambridgeProducer: Simon TillotsonReading list:David Ebrey, Plato’s Phaedo: Forms, Death and the Philosophical Life (Cambridge University Press, 2023)Dorothea Frede, ‘The Final Proof of the Immortality of the Soul in Plato’s Phaedo 102a-107a’ (Phronesis 23, 1978)W. K. C. Guthrie, A History of Greek Philosophy, vol. 4, Plato: The Man and his Dialogues, Earlier Period (Cambridge University Press, 2008) Verity Harte, ‘Conflicting Values in Plato’s Crito’ (Archiv. für Geschichte der Philosophie 81, 1999)Angie Hobbs, Why Plato Matters Now (Bloomsbury, forthcoming 2025), especially chapter 5 Rachana Kamtekar (ed.), Plato’s Euthyphro, Apology and Crito: Critical Essays (Rowman and Littlefield, 2004)Richard Kraut, Socrates and the State (Princeton University Press, 1984)Melissa Lane, ‘Argument and Agreement in Plato’s Crito’ (History of Political Thought 19, 1998) Plato (trans. Chris Emlyn-Jones and William Preddy), Euthyphro, Apology, Crito, Phaedo and Phaedrus (Loeb Classical Library, Harvard University Press, 2017)Plato (trans. G. M. A. Grube and John Cooper), The Trial and Death of Socrates: Euthyphro Apology, Crito, Phaedo (Hackett, 2001) Plato (trans. Christopher Rowe), The Last Days of Socrates: Euthyphro, Apology, Crito, Phaedo (Penguin, 2010)Donald R. Robinson (ed.), The Cambridge Companion to Socrates (Cambridge University Press, 2011)David Sedley and Alex Long (eds.), Plato: Meno and Phaedo (Cambridge University Press, 2010)James Warren, ‘Forms of Agreement in Plato’s Crito’ (Proceedings of the Aristotelian Society, Volume 123, Issue 1, April 2023)Robin Waterfield, Why Socrates Died: Dispelling the Myths (Faber and Faber, 2010)In Our Time is a BBC Studios Audio Production
The Battle of Valmy
Melvyn Bragg and guests discuss one of the most consequential battles of recent centuries. On 20th September 1792 at Valmy, 120 miles to the east of Paris, the army of the French Revolution faced Prussians, Austrians and French royalists heading for Paris to free Louis XVI and restore his power and end the Revolution. The professional soldiers in the French army were joined by citizens singing the Marseillaise and their refusal to give ground prompted their opponents to retreat when they might have stayed and won. The French success was transformative. The next day, back in Paris, the National Convention abolished the monarchy and declared the new Republic. Goethe, who was at Valmy, was to write that from that day forth began a new era in the history of the world.With Michael Rowe Reader in European History at King’s College LondonHeidi Mehrkens Lecturer in Modern European History at the University of AberdeenAndColin Jones Professor Emeritus of History at Queen Mary, University of LondonProducer: Simon TillotsonReading listT. C. W. Blanning, The French Revolutionary Wars, 1787-1802 (Hodder Education, 1996)Elizabeth Cross, ‘The Myth of the Foreign Enemy? The Brunswick Manifesto and the Radicalization of the French Revolution’ (French History 25/2, 2011)Charles J. Esdaile, The Wars of the French Revolution, 1792-1801 (Routledge, 2018)John A. Lynn, ‘Valmy’ (MHQ: Quarterly Journal of Military History, Fall 1992)Munro Price, The Fall of the French Monarchy: Louis XVI, Marie Antoinette and the baron de Breteuil (Macmillan, 2002)Simon Schama, Citizens: A Chronicle of the French Revolution (Penguin Books, 1989)Samuel F. Scott, From Yorktown to Valmy: The Transformation of the French Army in an Age of Revolution (University Press of Colorado, 1998)Marie-Cécile Thoral, From Valmy to Waterloo: France at War, 1792–1815 (Palgrave Macmillan, 2011)In Our Time is a BBC Studios Audio Production
Slime Moulds
Melvyn Bragg and guests discuss slime mould, a basic organism that grows on logs, cowpats and compost heaps. Scientists have found difficult to categorise slime mould: in 1868, the biologist Thomas Huxley asked: ‘Is this a plant, or is it an animal? Is it both or is it neither?’ and there is a great deal scientists still don’t know about it. But despite not having a brain, slime mould can solve complex problems: it can find the most efficient way round a maze and has been used to map Tokyo’s rail network. Researchers are using it to help find treatments for cancer, Parkinson's and Alzheimer's disease, and computer scientists have designed an algorithm based on slime mould behaviour to learn about dark matter. It’s even been sent to the international space station to help study the effects of weightlessness. WithJonathan Chubb Professor of Quantitative Cell Biology at University College, LondonElinor Thompson Reader in microbiology and plant science at the University of GreenwichAndMerlin Sheldrake Biologist and writerProducer: Eliane Glaser In Our Time is a BBC Studios Audio production
Vase-mania
Melvyn Bragg and guests discuss eighteenth century 'vase-mania'. In the second half of the century, inspired by archaeological discoveries, the Grand Tour and the founding of the British Museum, parts of the British public developed a huge enthusiasm for vases modelled on the ancient versions recently dug up in Greece. This enthusiasm amounted to a kind of ‘vase-mania’. Initially acquired by the aristocracy, Josiah Wedgwood made these vases commercially available to an emerging aspiring middle class eager to display a piece of the Classical past in their drawing rooms. In the midst of a rapidly changing Britain, these vases came to symbolise the birth of European Civilisation, the epitome of good taste and the timelessness that would later be celebrated by John Keats in his Ode on a Grecian Urn.WithJenny Uglow Writer and Biographer Rosemary Sweet Professor of Urban History at the University of LeicesterAndCaroline McCaffrey-Howarth Lecturer in the History of Art at the University of EdinburghProducer: Eliane GlaserReading list:Viccy Coltman, Fabricating the Antique: Neoclassicism in Britain 1760–1800 (University of Chicago Press, 2006)David Constantine, Fields of Fire: A Life of Sir William Hamilton (Phoenix, 2002)Tristram Hunt, The Radical Potter: Josiah Wedgwood and the Transformation of Britain (Allen Lane, 2021)Ian Jenkins and Kim Sloan (eds), Vases and Volcanoes: Sir William Hamilton and his Collection (British Museum Press, 1996)Berg Maxine, Luxury and Pleasure in Eighteenth-Century Britain (Oxford University Press, 2005)Iris Moon, Melancholy Wedgwood (MIT Press, 2024)Rosemary Sweet, Grand Tour: The British in Italy, c.1690–1820 (Cambridge University Press, 2012)Jenny Uglow, The Lunar Men: The Friends who Made the Future (Faber and Faber, 2003)In Our Time is a BBC Studios Audio production
Plutarch's Parallel Lives
Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards.WithJudith Mossman Professor Emerita of Classics at Coventry UniversityAndrew Erskine Professor of Ancient History at the University of EdinburghAnd Paul Cartledge AG Leventis Senior Research Fellow of Clare College, University of CambridgeProducer: Simon TillotsonReading list:Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014)Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6Raphaëla Dubreuil, Theater and Politics in Plutarch’s Parallel Lives (Brill, 2023)Tim Duff, Plutarch’s Lives: Exploring Virtue and Vice (Oxford University Press, 1999)Noreen Humble (ed.), Plutarch’s Lives: Parallelism and Purpose (Classical Press of Wales, 2010)Robert Lamberton, Plutarch (Yale University Press, 2002)Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016)Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002)Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016)Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005)Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010)Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006)Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998)Geert Roskam, Plutarch (Cambridge University Press, 2021)D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001)Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014)Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023)In Our Time is a BBC Studios Audio Production
The Habitability of Planets
Melvyn Bragg and guests discuss some of the great unanswered questions in science: how and where did life on Earth begin, what did it need to thrive and could it be found elsewhere? Charles Darwin speculated that we might look for the cradle of life here in 'some warm little pond'; more recently the focus moved to ocean depths, while new observations in outer space and in laboratories raise fresh questions about the potential for lifeforms to develop and thrive, or 'habitability' as it is termed. What was the chemistry needed for life to begin and is it different from the chemistry we have now? With that in mind, what signs of life should we be looking for in the universe to learn if we are alone?With Jayne Birkby Associate Professor of Exoplanetary Sciences at the University of Oxford and Tutorial Fellow in Physics at Brasenose CollegeSaidul Islam Assistant Professor of Chemistry at Kings College, LondonAnd Oliver Shorttle Professor of Natural Philosophy at the University of Cambridge and Fellow of Clare CollegeProducer: Simon TillotsonReading list: David Grinspoon, Venus Revealed: A New Look Below the Clouds of Our Mysterious Twin Planet (Basic Books, 1998)Lisa Kaltenegger, Alien Earths: Planet Hunting in the Cosmos (Allen Lane, 2024)Andrew H. Knoll, Life on a Young Planet: The First Three Billion Years of Evolution on Earth (Princeton University Press, 2004)Charles H. Langmuir and Wallace Broecker, How to Build a Habitable Planet: The Story of Earth from the Big Bang to Humankind (Princeton University Press, 2012)Joshua Winn, The Little Book of Exoplanets (Princeton University Press, 2023)In Our Time is a BBC Studios Audio Production
Nizami Ganjavi
Melvyn Bragg and guests discuss one of the greatest romantic poets in Persian literature. Nizami Ganjavi (c1141–1209) is was born in the city of Ganja in what is now Azerbaijan and his popularity soon spread throughout the Persian-speaking lands and beyond. Nizami is best known for his Khamsa, a set of five epic poems that contains a famous retelling of the tragic love story of King Khosrow II (c570-628) and the Christian princess Shirin (unknown-628) and the legend of Layla and Majnun. Not only did he write romances: his poetry also displays a dazzling knowledge of philosophy, astronomy, botany and the life of Alexander the Great.With Christine van Ruymbeke Professor of Persian Literature and Culture at the University of CambridgeNarguess Farzad Senior Lecturer in Persian Studies at SOAS, University of LondonAndDominic Parviz Brookshaw Professor of Persian Literature and Iranian Culture at the University of OxfordProducer: Simon TillotsonReading list:Laurence Binyon, The Poems of Nizami (The Studio Limited, 1928)Barbara Brend, Treasures of Herat: Two Manuscripts of the Khamsah of Nizami in the British Library (Gingko, 2020)Barbara Brend, The Emperor Akbar’s Khamsa of Nizami (British Library, 1995)J-C. Burgel and C. van Ruymbeke, A Key to the Treasure of the Hakim: Artistic and Humanistic Aspects of Nizami Ganjavi’s Khamsa (Leiden University Press, 2011)Nizami Ganjavi (trans. P.J. Chelkowski), Mirror of the Invisible World: Tales from the Khamseh of Nizami (Metropolitan Museum of Art, 1975)Nizami Ganjavi (trans. Dick Davis), Layli and Majnun (Penguin Books, 2021)Nizami Ganjavi (trans. Rudolf Gelpke), The Story of Layla and Majnun (first published 1966: Omega Publications, 1997)Nizami Ganjavi (trans. Rudolf Gelpke), The Story of the Seven Princesses (Bruno Cassirer Ltd, 1976)Nizami Ganjavi (trans. Julie Scott Meisami, The Haft Paykar: A Medieval Persian Romance (Oxford University Press, 1995)Nizami Ganjavi (trans. Colin Turner), Layla and Majnun (Blake Publishing, 1997) Dominic Parviz Brookshaw, Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth-Century Iran (Bloomsbury, 2019)Julie Scott Meisami, Medieval Persian Court Poetry (Princeton University Press, 2014)Asghar Seyed-Gohrab, Layli and Majnun: Love, Madness and Mystic Longing in Nizami’s Epic Romance (Brill, 2003)Kamran Talattof, Jerome W. Clinton, and K. Allin Luther, The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric (Palgrave, 2000)C. van Ruymbeke, Science and Poetry in Medieval Persia: The Botany of Nizami's Khamsa (Cambridge University Press, 2007) In Our Time is a BBC Studios Audio Production
The Hanoverian Succession
Melvyn Bragg and guests discuss the intense political activity at the turn of the 18th Century, when many politicians in London went to great lengths to find a Protestant successor to the throne of Great Britain and Ireland and others went to equal lengths to oppose them. Queen Anne had no surviving children and, following the old rules, there were at least 50 Catholic candidates ahead of any Protestant ones and among those by far the most obvious candidate was James, the only son of James II. Yet with the passing of the Act of Settlement in 1701 ahead of Anne's own succession, focus turned to Europe and to Princess Sophia, an Electress of the Holy Roman Empire in Hanover who, as a granddaughter of James I, thus became next in line to be crowned at Westminster Abbey. It was not clear that Hanover would want this role, given its own ambitions and the risks, in Europe, of siding with Protestants, and soon George I was minded to break the rules of succession so that he would be the last Hanoverian monarch as well as the first.WithAndreas Gestrich Professor Emeritus at Trier University and Former Director of the German Historical Institute in LondonElaine Chalus Professor of British History at the University of LiverpoolAnd Mark Knights Professor of History at the University of WarwickProducer: Simon TillotsonReading list:J.M. Beattie, The English Court in the Reign of George I (Cambridge University Press, 1967)Jeremy Black, The Hanoverians: The History of a Dynasty (Hambledon Continuum, 2006)Justin Champion, Republican Learning: John Toland and the Crisis of Christian Culture 1696-1722 (Manchester University Press, 2003), especially his chapter ‘Anglia libera: Protestant liberties and the Hanoverian succession, 1700–14’Linda Colley, Britons: Forging the Nation 1707 – 1837 (Yale University Press, 2009)Andreas Gestrich and Michael Schaich (eds), The Hanoverian Succession: Dynastic Politics and Monarchical Culture (Ashgate, 2015)Ragnhild Hatton, George I: Elector and King (Thames & Hudson Ltd, 1979)Mark Knights, Representation and Misrepresentation in Later Stuart Britain: Partisanship and Political Culture (Oxford University Press, 2005) Mark Knights, Faction Displayed: Reconsidering the Impeachment of Dr Henry Sacheverell (Blackwell, 2012)Joanna Marschner, Queen Caroline: Cultural Politics at the Early Eighteenth-Century Court (Yale University Press, 2014)Ashley Marshall, ‘Radical Steele: Popular Politics and the Limits of Authority’ (Journal of British Studies 58, 2019)Paul Monod, Jacobitism and the English People, 1688-1788 (Cambridge University Press, 1989)Hannah Smith, Georgian Monarchy: Politics and Culture 1714-1760 (Cambridge University Press, 2006)Daniel Szechi, 1715: The Great Jacobite Rebellion (Yale University Press, 2006)A.C. Thompson, George II : King and Elector (Yale University Press, 2011)In Our Time is a BBC Studios Audio Production
Italo Calvino
Melvyn Bragg and guests discuss the Italian author of Invisible Cities, If On A Winter's Night A Traveller, Cosmicomics and other celebrated novels, fables and short stories of the 20th Century. Calvino (1923 -1985) had a passionate belief that writing and art could make life better for everyone. Despite his parents being scientists, who dearly wanted him to be a scientist too, and his time fighting with the Partisans in Liguria in WWII during which his parents were held hostage by the Nazis, Calvino turned away from realism in his writing. Ideally, he said, he would have liked to be alive in the Enlightenment. He moved towards the fantastical, drawing on his childhood reading while collecting a huge number of the fables of Italy and translating them from dialect into Italian to enrich the shared culture of his fellow citizens. His fresh perspective on the novel continues to inspire writers and delight readers in Italian and in translations around the world.With Guido Bonsaver Professor of Italian Cultural History at the University of OxfordJennifer Burns Professor of Italian Studies at the University of WarwickAndBeatrice Sica Associate Professor in Italian Studies at UCLProducer: Simon TillotsonReading list: Elio Baldi, The Author in Criticism: Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom (Fairleigh Dickinson University Press, 2020)Elio Baldi and Cecilia Schwartz, Circulation, Translation and Reception Across Borders: Italo Calvino’s Invisible Cities Around the World (Routledge, 2024)Peter Bondanella and Andrea Ciccarelli (eds.), The Cambridge Companion to the Italian Novel (Cambridge University Press, 2003), especially the chapter ‘Italo Calvino and Umberto Eco: Postmodern Masters’James Butler, ‘Infinite Artichoke’ (London Review of Books, vol. 45, no. 12, 15 June 2023)Italo Calvino (trans. Martin McLaughlin), The Path to the Spiders’ Nests (first published 1947; Penguin Classics, 2009)Italo Calvino (trans. Mikki Taylor), The Baron in the Trees (first published 1957; Vintage Classics, 2021)Italo Calvino, Marcovaldo (first published 1963; Vintage Classics, 2023) Italo Calvino (trans. William Weaver and Ann Goldstein), Difficult Loves and Other Stories (first published 1970; Vintage Classics, 2018)Italo Calvino (trans. William Weaver), Invisible Cities (first published 1972; Vintage Classics, 1997)Italo Calvino (trans. Patrick Creagh), The Uses of Literature (first published 1980; Houghton Mifflin, 1987)Italo Calvino (trans. Geoffrey Brock), Six Memos for the Next Millennium (first published 1988; Penguin Classics, 2016) Italo Calvino (trans. Tim Parks), The Road to San Giovanni (first published 1990; HMH Books, 2014) Italo Calvino (trans. Ann Goldstein), The Written World and the Unwritten World: Essays (Mariner Books Classics, 2023)Kathryn Hume, Calvino's Fictions: Cogito and Cosmos (Clarendon Press, 1992)Martin McLaughlin, Italo Calvino (Edinburgh University Press, 1998)In Our Time is a BBC Studios Audio Production
The Antikythera Mechanism
Melvyn Bragg and guests discuss the 2000-year-old device which transformed our understanding of astronomy in ancient Greece. In 1900 a group of sponge divers found the wreck of a ship off the coast of the Greek island of Antikythera. Among the items salvaged was a corroded bronze object, the purpose of which was not at first clear. It turned out to be one of the most important discoveries in marine archaeology. Over time, researchers worked out that it was some kind of astronomical analogue computer, the only one to survive from this period as bronze objects were so often melted down for other uses. In recent decades, detailed examination of the Antikythera Mechanism using the latest scientific techniques indicates that it is a particularly intricate tool for showing the positions of planets, the sun and moon, with a complexity and precision not surpassed for over a thousand years.With Mike Edmunds Emeritus Professor of Astrophysics at Cardiff UniversityJo Marchant Science journalist and author of 'Decoding the Heavens' on the Antikythera MechanismAnd Liba Taub Professor Emerita in the Department of History and Philosophy of Science at the University of Cambridge and Visiting Scholar at the Deutsches Museum, MunichProducer: Simon Tillotson In Our Time is a BBC Studios Audio ProductionReading list:Derek de Solla Price, Gears from the Greeks: The Antikythera Mechanism (American Philosophical Society Press, 1974)M. G. Edmunds, ‘The Antikythera mechanism and the mechanical universe’ (Contemp. Phys. 55, 2014) M.G. Edmunds, ’The Mechanical Universe’ (Astronomy & Geophysics, 64, 2023)James Evans and J. Lennart Berggren, Geminos's Introduction to the Phenomena: A Translation and Study of a Hellenistic Survey of Astronomy (Princeton University Press, 2006)T. Freeth et al., ‘Calendars with Olympiad display and eclipse prediction on the Antikythera mechanism’ (Nature 454, 2008)Alexander Jones, A Portable Cosmos: Revealing the Antikythera Mechanism, Scientific Wonder of the Ancient World (Oxford University Press, 2017)Jo Marchant, Decoding the Heavens: Solving the Mystery of the World’s First Computer (Windmill Books, 2009)J.H. Seiradakis and M.G. Edmunds, ‘Our current knowledge of the Antikythera Mechanism’ (Nature Astronomy 2, 2018)Liba Taub, Ancient Greek and Roman Science: A Very Short Introduction (Oxford University Press, 2022)
George Herbert
Melvyn Bragg and guests discuss the poet George Herbert (1593-1633) who, according to the French philosopher Simone Weil, wrote ‘the most beautiful poem in the world’. Herbert gave his poems on his relationship with God to a friend, to be published after his death if they offered comfort to any 'dejected pour soul' but otherwise be burned. They became so popular across the range of Christians in the 17th Century that they were printed several times, somehow uniting those who disliked each other but found a common admiration for Herbert; Charles I read them before his execution, as did his enemies. Herbert also wrote poems prolifically and brilliantly in Latin and these he shared during his lifetime both when he worked as orator at Cambridge University and as a parish priest in Bemerton near Salisbury. He went on to influence poets from Coleridge to Heaney and, in parish churches today, congregations regularly sing his poems set to music as hymns. WithHelen Wilcox Professor Emerita of English Literature at Bangor UniversityVictoria Moul Formerly Professor of Early Modern Latin and English at UCLAndSimon Jackson Director of Music and Director of Studies in English at Peterhouse, University of CambridgeProducer: Simon TillotsonReading list: Amy Charles, A Life of George Herbert (Cornell University Press, 1977)Thomas M. Corns, The Cambridge Companion to English Poetry: Donne to Marvell (Cambridge University Press, 1993) John Drury, Music at Midnight: The Life and Poetry of George Herbert (Penguin, 2014)George Herbert (eds. John Drury and Victoria Moul), The Complete Poetry (Penguin, 2015)George Herbert (ed. Helen Wilcox), The English Poems of George Herbert (Cambridge University Press, 2007)Simon Jackson, George Herbert and Early Modern Musical Culture (Cambridge University Press, 2022)Gary Kuchar, George Herbert and the Mystery of the Word (Palgrave Macmillan, 2017)Cristina Malcolmson, George Herbert: A Literary Life (Palgrave Macmillan, 2004)Victoria Moul, A Literary History of Latin and English Poetry: Bilingual Literary Culture in Early Modern England (Cambridge University Press, 2022)Joseph H. Summers, George Herbert: His Religion and Art (first published by Chatto and Windus, 1954; Center for Medieval and Renaissance Studies, New York, 1981)Helen Vendler, The Poetry of George Herbert (Harvard University Press, 1975)James Boyd White, This Book of Starres: Learning to Read George Herbert (University of Michigan Press, 1995)Helen Wilcox (ed.), George Herbert. 100 Poems (Cambridge University Press, 2021) In Our Time is a BBC Studios Audio production
The Venetian Empire
Melvyn Bragg and guests discuss the remarkable rise of Venice in the eastern Mediterranean. Unlike other Italian cities of the early medieval period, Venice had not been settled during the Roman Empire. Rather, it was a refuge for those fleeing unrest after the fall of Rome who settled on these boggy islands on a lagoon and developed into a power that ran an empire from mainland Italy, down the Adriatic coast, across the Peloponnese to Crete and Cyprus, past Constantinople and into the Black Sea. This was a city without walls, just one of the surprises for visitors who marvelled at the stability and influence of Venice right up to the 17th Century when the Ottomans, Spain, France and the Hapsburgs were to prove too much especially with trade shifting to the Atlantic.With Maartje van Gelder Professor in Early Modern History at the University of AmsterdamStephen Bowd Professor of Early Modern History at the University of EdinburghAndGeorg Christ Senior Lecturer in Medieval and Early Modern History at the University of ManchesterProducer: Simon TillotsonReading list:Michel Balard and Christian Buchet (eds.), The Sea in History: The Medieval World (Boydell & Brewer, 2017), especially ‘The Naval Power of Venice in the Eastern Mediterranean’ by Ruthy GertwagenStephen D. Bowd, Venice's Most Loyal City: Civic Identity in Renaissance Brescia (Harward University Press, 2010)Frederic Chapin Lane, Venice: A Maritime Republic (Johns Hopkins University Press, 1973)Georg Christ and Franz-Julius Morche (eds.), Cultures of Empire: Rethinking Venetian rule 1400–1700: Essays in Honour of Benjamin Arbel (Brill, 2020), especially ‘Orating Venice's Empire: Politics and Persuasion in Fifteenth Century Funeral Orations’ by Monique O'ConnellEric R. Dursteler, A Companion to Venetian History, 1400-1797 (Brill, 2013), especially ‘Venice's Maritime Empire in the Early Modern Period’ by Benjamin ArbelIain Fenlon, The Ceremonial City: History, Memory and Myth in Renaissance Venice (Yale University Press, 2007)Joanne M. Ferraro, Venice: History of the Floating City (Cambridge University Press, 2012)Maria Fusaro, Political Economies of Empire: The Decline of Venice and the Rise of England 1450-1700 (Cambridge University Press, 2015)Maartje van Gelder, Trading Places: The Netherlandish Merchant Community in Early Modern Venice, 1590-1650 (Brill, 2009)Deborah Howard, The Architectural History of Venice (Yale University Press, 2004)Kristin L. Huffman (ed.), A View of Venice: Portrait of a Renaissance City (Duke University Press, 2024) Peter Humfrey, Venice and the Veneto: Artistic Centers of the Italian Renaissance (Cambridge University Press, 2008)John Jeffries Martin and Dennis Romano (eds.), Venice Reconsidered: The History and Civilization of an Italian City-State, 1297-1797 (Johns Hopkins University Press, 2000)Erin Maglaque, Venice’s Intimate Empire: Family Life and Scholarship in the Renaissance Mediterranean (Cornell University Press, 2018)Michael E Mallett and John Rigby Hale, The Military Organization of a Renaissance State Venice, c.1400 to 1617 (Cambridge University Press, 1984)William Hardy McNeill, Venice: The Hinge of Europe (The University of Chicago Press, 1974)Jan Morris, The Venetian Empire: A Sea Voyage (Faber & Faber, 1980)Monique O'Connell, Men of Empire: Power and Negotiation in Venice’s Maritime State (Johns Hopkins University Press, 2009)Dennis Romano, Venice: The Remarkable History of the Lagoon City (Oxford University Press, 2023)David Rosand, Myths of Venice: The Figuration of a State (University of North Carolina Press, 2001)David Sanderson Chambers, The Imperial Age of Venice, 1380-1580 (Thames and Hudson, 1970) Sandra Toffolo, Describing the City, Describing the State: Representations of Venice and the Venetian Terraferma in the Renaissance (Brill, 2020)In Our Time is a BBC Studios Audio Production .
Little Women
Melvyn Bragg and guests discuss Louisa May Alcott's 1868 novel, credited with starting the new genre of young adult fiction. When Alcott (1832-88) wrote Little Women, she only did so as her publisher refused to publish her father's book otherwise and as she hoped it would make money. It made Alcott's fortune. This coming of age story of Meg, Jo, Beth and Amy March, each overcoming their own moral flaws, has delighted generations of readers and was so popular from the start that Alcott wrote the second part in 1869 and further sequels and spin-offs in the coming years. Her work has inspired countless directors, composers and authors to make many reimagined versions ever since, with the sisters played by film actors such as Katherine Hepburn, Elizabeth Taylor, Winona Ryder, Claire Danes, Kirsten Dunst, Saoirse Ronan and Emma Watson. With Bridget Bennett Professor of American Literature and Culture at the University of LeedsErin Forbes Senior Lecturer in African American and U.S. Literature at the University of BristolAndTom Wright Reader in Rhetoric and Head of the Department of English Literature at the University of SussexProducer: Simon TillotsonReading list:Louisa May Alcott (ed. Madeline B Stern), Behind a Mask: The Unknown Thrillers of Louisa May Alcott (William Morrow & Co, 1997)Kate Block, Jenny Zhang, Carmen Maria Machado and Jane Smiley, March Sisters: On Life, Death, and Little Women (Library of America, 2019)Anne Boyd Rioux, Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters (W. W. Norton & Company, 2018)Azelina Flint, The Matrilineal Heritage of Louisa May Alcott and Christina Rossetti (Routledge, 2021)Robert Gross, The Transcendentalists and Their World (Farrar, Straus and Giroux, 2022)John Matteson, Eden’s Outcasts: The Story of Louisa May Alcott and Her Father (W. W. Norton & Company, 2007)Bethany C. Morrow, So Many Beginnings: A Little Women Remix (St Martin’s Press, 2021)Anne K. Phillips and Gregory Eiselein (eds.), Critical Insights: Louisa May Alcott (Grey House Publishing Inc, 2016)Harriet Reisen, Louisa May Alcott: The Woman Behind Little Women (Picador, 2010)Daniel Shealy (ed.), Little Women at 150 (University of Mississippi Press, 2022)Elaine Showalter, A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx (Virago, 2009)Simon Sleight and Shirleene Robinson (eds.), Children, Childhood and Youth in the British World (Palgrave, 2016), especially “The ‘Willful’ Girl in the Anglo-World: Sentimental Heroines and Wild Colonial Girls” by Hilary EmmettMadeleine B. Stern, Louisa May Alcott: A Biography (first published 1950; Northeastern University Press, 1999) In Our Time is a BBC Studios Audio Production