What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.
Who Has The "Right To A Story?"
On this week's Code Switch, we hear from two Palestinian American poets who talk about what it's like to be Palestinian American in the U.S. Fady Joudah and Tariq Luthun say the way their stories are told — or aren't told — has contributed to what they see as an erasure of their identities, and often of their humanity.
How does a computer discriminate?
OK, not exactly a computer — more like, the wild array of technologies that inform what we consume on our computers and phones. Because on this episode, we're looking at how AI and race bias intersect. Safiya Noble, a professor at UCLA and the author of the book Algorithms of Oppression talks us through some of the messy issues that arise when algorithms and tech are used as substitutes for good old-fashioned human brains.
Bonus episode: All The Only Ones: The Missing Piece Of The Puzzle
We're bringing you something special from our play cousins over at Embedded: the first episode of a three part series about the often neglected history of trans youth in America. We meet Zen, a Mexican-American, New Orleans native, who is coming into their transness, as we learn about an historic trans person, Bernard, from Alabama in the early 1900s, fighting to be seen.
Looking For My People In The Black Punk Scene
More than a decade since B.A. Parker last dabbled in the Black punk scene, she heads to a punk a show, and remembers a question from James Spooner: "What is more liberating than a mosh pit full of smiling Black faces?" Parker talks to James about what it means to be a Black punk, creating the Afropunk Festival and its evolution, and a new anthology he co-edited called Black Punk Now.
Giving up on identity with Ada Limón
Ada Limón is many things: the U.S. Poet Laureate, a recently named MacArthur "Genius," a Latina, a summer person becoming a fall person. But underneath all those outer identities, she's still in search for the "original animal at [her] core."
The agony and ecstasy of parenting with Hari Kondabolu
Being a new parent is exhausting at the best of times. There are diapers to change, bottles to fill, screaming sobs to quiet down. But beyond all the routine chores that come with parenting, there are the larger social questions of how to raise a kid in a complex, unjust, and ever-changing world.
What does it mean to be good?
In her memoir Rivermouth, author Alejandra Oliva recounts her experiences working as a translator and interpreter for people seeking asylum in the U.S. But as she navigates the world of immigration advocacy, she starts to grapple with the question of what it means to help, and what it means to "want to star in the helping."
Student activists are fighting big coal, and winning
South Baltimore has some of the most polluted air in the country. Local teenagers are fighting polluters back, and slowly building toward climate justice.
Probation and parole — the under-researched arms of mass incarceration
In the past decade, the problem of mass incarceration has gotten increased attention and thought. But in his new book, Mass Supervision, Vincent Schiraldi argues that in those conversations, people often neglect to think about probation and parole — two of the biggest feeders to the U.S.'s prison population. These systems surveil close to four million Americans, which Schiraldi says is both a huge waste of resources and a massive human rights violation. On this episode, we're talking to Schiraldi about how probation and parole came to be, why they're no longer working as they were once supposed to, and why he thinks they might need to be done away with entirely.
'I Can Die For This Country, But I Can't Learn'
In June, the Supreme Court banned affirmative action at colleges and universities across the country, with one glaring exception: military academies. On this episode, we're asking — why?
Remembering and unremembering, from Kigali to Nashville
For centuries, the idea of the "American Dream" has been a powerful narrative for many immigrant communities. But for just as long, many African Americans have known that the American Dream was never meant to include them. So what happens when those beliefs collide? Today ten percent of the Black population in the U.S. are immigrants, and many grapple with this question. In this episode, we'll hear from Claude Gatebuke, who moved from Kigali to Nashville as a teenager in the wake of the Rwandan genocide. He talks about how the move to the U.S. likely saved his life, while simultaneously challenging his belief that he could have a full, meaningful future as a Black man.
Fall football — or the fall of football?
This week, the NFL is gearing up for the start of its 104th season. But as this new chapter begins, we're looking at some of the league's old problems with race and diversity — ones that have implications for the coaches, the players, and the fans.
Bad Bunny, Reggaeton, and Resistance
Bad Bunny, the genre- and gender norm-defying Puerto Rican rapper, is one of the biggest music stars on the planet. He has also provided a global megaphone for Puerto Rican discontent. In this episode, we take a look at how Bad Bunny became the unlikely voice of resistance in Puerto Rico. This episode originally aired in January 2023.
What Does A Good Race Joke Make?
When a comedian of color makes a joke, is it always about race, even if it's not about race? Code Switch talks to comedians Aparna Nancherla, Brian Bahe and Maz Jobrani about how and why race makes an appearance in their jokes. Plus, one of our own reveals her early-career dabbling in comedy.
Family, fortune, and the fight for Osage headrights
When Richard J. Lonsinger's birth mother passed away in 2010, he wasn't included in the distribution of her estate. Feeling hurt and excluded, he asked a judge to re-open her estate, to give him a part of one particular asset: an Osage headright. But the more Lonsinger learned about the history of the headrights, the more he began to wonder who was really entitled to them, and where he fit in.