The weekly Resident Advisor Podcast featuring electronic music - https://ra.co
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Eurovisión en clave cultural
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Canción Exploder
Un podcast donde los músicos desarman sus canciones y pieza por pieza cuentan la historia de cómo fueron hechas. Una coproducción de Adonde Media con Song Exploder de Hrishikesh Hirway, presentado por Martina Castro y distribuido con apoyo de Radiotopia de PRX.
Encuentra todos los episodios y más info sobre los artistas en cancionexploder.com.
CREATIVO CLIPS
Escucha los episodios completos del podcast Creativo en Youtube y Amazon Music. Amazon Music: https://amzn.to/creativo YouTube: https://youtube.com/robertomtztv
RA.1051 Mietze Conte
An antidote to the summertime banger, with an hour of breezy ambient from the Vienna artist. When we picture the summertime banger, we picture high energy. But with record-breaking heatwaves from South Korea to the South of France, a different soundtrack makes sense. Cue RA.1051. Across an hour of woozy lo-fi electronics—many his own productions—Mietze Conte, AKA Matthias Oldofredi, offers the alternative, inspired, as he puts it below, by "the fresh cool cleansing breeze" after a storm. At his most energetic, the Vienna artist appeals to fans of Live From Earth or 1tbsp—eurodance meets hyperpop with a DIY smirk. At his most contemplative, he drifts toward the ambient reverie of Otto Benson and Dylan Henner. What ties it together is playfulness: songs under two minutes, hand-drawn covers, music that's deeply serious and deeply unserious at once. Here he goes wide without raising the temperature, from Green-House to Nala Sinephro to Terekke's dub-hazed loops. Step into his world and find some much-needed shade. Find the tracklist and Q&A at ra.co/podcast/1070 @mietzeconte
EX.807 Overmono
The British sibling duo talk creative process, stepping away from successful solo projects and their new album, Pure Devotion, on XL Recordings. Tom and Ed Russell are brothers who spent the first decade of their careers working separately, building solo careers with real underground momentum. As Truss, Tom made techno on labels like Perc Trax and R&S. As Tessela, Ed put out jungle and breaks on Poly Kicks and his own label, All Caps. Both walked away from them after a week in a Welsh cottage in 2015, when they wrote the material that would form the foundations of Overmono—today, one of the most popular projects in dance music today. What binds them now is a set of self-imposed rules, designed to produce interesting accidents out of the studio. On their new record, Pure Devotion, that meant engineering genuinely out-of-the-box experiments: baking a crash cymbal in the oven overnight to see how would change with heat; running tape past magnets to erase half of what they were recording as they recorded it; and writing 84 versions of one album track, "Nights in Shining Prada," before settling on one that would make the cut. The brothers write obsessively in studios, hotels, airplanes and tour buses, a shared instinct honed to the point that they rarely disagree during the production process. In this Exchange, RA Editor Gabe Szatan sat down with Tom and Ed to reflect on some of their more surprising musical inspirations, letting go of other people's opinions and summoning the courage to walk away from two solo careers that were arguably at their peak. Pure Devotion is out August 7th on XL Recordings. Listen to the episode in full.
RA.1050 O Ghettão
RA.1050 O Ghettão by Resident Advisor
RA.1049 Topdown Dialectic
The long-anonymous Peak Oil favourite breaks cover with two hours that run from post-punk and dub to vintage New York house. Mystery is a powerful force. What stays unknown stays enticing—negative space the listener fills in for themselves. Minimalists may be its largest constituency, and few have held the line as long as Topdown Dialectic. That changed with False LP A, which finally named him: Izaak Schlossman, a San Francisco photographer who spent years issuing untitled, identically timed tracks with no narrative attached. Coming out of the shadows hasn't cost the music its haze. Working in the Basic Channel lineage, Schlossman lays tracing paper over house and dub techno and pulls through the faintest outline—a bassline's shadow, the memory of a chord. Tracks surface the way bodies emerge in a steam room. He belongs to a North American underground that's been among dance music's most progressive forces this past decade—no surprise, then, that he credits Scott Zacharias of Detroit's No Way Back in the Q&A. This isn't quite the end of the mystery. Only the second Topdown Dialectic mix to surface, RA.1049 wipes the condensation from the glass just long enough for a look inside: it opens with a cut from German label Workshop before drifting from atmospheric post-punk and dubbed-out house into cosmic electro and, by the close, vintage New York house. It moves at an unhurried, chugging pace, but never mistakes restraint for stasis—each track quietly recalibrating until another contour comes into view. Find the tracklist and Q&A at ra.co/podcast/1068 @peakoil @falsearalia @aught0101
RA.1049 Topdown Dialectic
The Peak Oil favourite and long-anonymous producer breaks cover with two hours that run from post-punk and dub to vintage New York house. Mystery is a powerful force. What stays unknown stays enticing—negative space the listener fills in for themselves. Minimalists may be its largest constituency, and few have held the line as long as Topdown Dialectic. That changed with False LP A, which finally named him: Izaak Schlossman, a San Francisco photographer who spent years issuing untitled, identically timed tracks with no narrative attached. Coming out of the shadows hasn't cost the music its haze. Working in the Basic Channel lineage, Schlossman lays tracing paper over house and dub techno and pulls through the faintest outline—a bassline's shadow, the memory of a chord. Tracks surface the way bodies emerge in a steam room. He belongs to a North American underground that's been among dance music's most progressive forces this past decade—no surprise, then, that he credits Scott Zacharias of Detroit's No Way Back in the Q&A. This isn't quite the end of the mystery. Only the second Topdown Dialectic mix to surface, RA.1049 wipes the condensation from the glass just long enough for a look inside: it opens with a cut from German label Workshop before drifting from atmospheric post-punk and dubbed-out house into cosmic electro and, by the close, vintage New York house. It moves at an unhurried, chugging pace, but never mistakes restraint for stasis—each track quietly recalibrating until another contour comes into view. Find the tracklist and Q&A at ra.co/podcast/1068 @peakoil @falsearalia @aught0101
RA.1048 Traumer
A masterclass in the art of the all-nighter, as one of France's finest purveyors of funk delivers six hours live from Robert Johnson. What does minimal sound like in 2026? Ask five DJs and you'll get five answers, from the acidic electro and techno of Montevideo to the dubby loops of Montreal. A real contender for the face of contemporary minimal, though, is Romain Poncet, AKA Traumer. Poncet is, in many ways, old school. As a DJ, he offers a French twist on Rominimal: long, drawn-out loops mixed with imperceptible precision. In the studio, he turns out the kind of records you'd find in Raresh's bag. He didn't start out a minimal head, though. His early-'10s releases were driving techno and tech house, but around 2016 the Parisian changed tack, launching GET TRAUM — a label steeped in both Bucharest's ar:pia:r and France's own history of deep, stripped-back house. Whatever the genre, his music is understated, never showy: DJ tools in the truest sense, designed for dancers and for DJs who want to tell a story over a long set. Case in point is RA.1049, a six-hour recording from Robert Johnson. The drums skip like kids let out for summer; the melodies sit between euphoria and melancholy. Swallow it whole or savour it course by course — RA.1049 is a Traumer tasting menu. Read more at ra.co/podcast/1067 @traumer
EX.806 Eartheater
The genre-fluid multihyphenate on motherhood, songwriting with FKA Twigs and her new album, Heavenly Body: If I'm the Bottle You're the Message. American singer-songwriter Alexandra Drewchin (AKA Eartheater) is hard to pin down by design. In her music, acoustic instruments like harp and guitar collide with heavy digital manipulation, processed beats and classical technique. Her three-octave vocal range has carried her from operatic folk singing to literally shattering wine glasses on stage. Most recently, she co-wrote and sang on the title track of FKA Twigs' Grammy-winning Eusexua, and has since joined Twigs on tour in support of the album. In this week's RA Exchange, Drewchin talks about her songwriting practice and her new LP, Heavenly Body: If I'm the Bottle You're the Message. The album arrives at a pivotal moment for the artist: she's recently become a mother and bought back the Pennsylvania farm her family lost when she was fifteen—a place she vowed, even then, that she would one day reclaim. She reflects on that homecoming, and on how pregnancy, birth and motherhood shaped the record. She also discusses what she learned about songwriting from collaborating with Twigs, and her early mentorship under the late R&B legend Roberta Flack. Heavenly Body: If I'm the Bottle You're the Message is out now on Eartheater's label, Chemical X. Listen to the episode in full.
RA.1047 deep creep
77 minutes of wickedly twitchy grooves from the belly of the New York underground. "Music is meant to be shared. Music is meant to be shared. Music is meant to be shared." This phrase is written again and again in the About section for the mix series and label pi pi pi. For deep creep, the force behind the popular platform, it serves as a radical promise: music is, and must always be, collective and communal. On RA.1047, deep creep digs appropriately deep into her bag with a mix of minimal, tech house and dub, as well as flashes of techno and even a little flirt with electroclash. Pulses of sub weight, dubby melodies, introspective synths and quirky minimal funk make for a mix both dark yet euphoric, claustrophobic yet spacious. Dive in. Read the Q&A at ra.co/podcast/1066
EX.805 Martyn
The Dutch producer on flow state, communal music-making and his new album, Music for Existing. Martijn Deijkers, AKA Martyn, has spent close to three decades resisting labels. He grew up in a small Dutch village as a vinyl obsessive, buying his first 7-inch from a store that doubled as a sweet shop, before travelling to London in the mid-'90s to chase jungle and drum & bass. He later became one of the first artists from outside the UK to shape the capital's dubstep scene, fusing it with the Detroit techno and hip-hop of his youth. Since then, he has held a residency at Panorama Bar, started a successful label, 3024, and hosted a long-running monthly jazz show on NTS, Darkest Light. In this Exchange with RA's Performance Content Lead, Tom Gledhill, Deijkers talks about dubplate culture in '90s London, the mentoring programme that's shaped his approach to creativity and his new album, Music for Existing, a collection of jazz-inflected electronics that explores the powerful, communal act of making music together. The LP is out now on 3024. Listen to the episode in full.
RA.1046 Jennifer Loveless
90 minutes of scintillating house and techno, primed for the heart of summer. There's something delightfully paradoxical about Jennifer Loveless. Her productions skew hedonistic yet minimal; her DJing feels both spacey and oceanic. Hell, even her artist bio underlines her taste for opposites: "Jennifer Loveless is contrary to her name, all heart." This yin and yang runs through RA.1046. Built around swung percussion, the 97-minute mix wanders across genre and time with an aquatic sensibility. She mixes her own tunes with early '00s tech house to craft a seaside mise en scène where new-school heroes like Pancratio and Ladymonix share fruity cocktails with certified legends (K-HAND, Jay Tripwire). Strap in for deep cuts that sound simultaneously galactic and like they floated up from the ocean floor. Read the Q&A at ra.co/podcast/1066
EX.804 Kurupt FM
The UK pirate radio crew and cult TV stars discuss their rebirth and forthcoming EP, Grindah's Decided We're Doing Music Again. Many UK natives will be familiar with the show People Just Do Nothing, a mid-2010s comedy about pirate radio crew Kurupt FM, who ride the UK garage wave, broadcasting from the outer boroughs of London. Kurupt FM's core members—MC Grindah, DJ Beats, DJ Steves and DJ Decoy—went quiet for more than a decade after the last episode aired in 2014. After a stretch of solo ventures—books, stand-up, Grindah's domestic upheaval following his split with long-time partner Miche, as depicted in People Just Do Nothing—the crew has reconvened for a new EP, Grindah's Decided We're Doing Music Again. In this RA Exchange, Grindah, Beats and Steves meet for a rare interview to talk about their rebirth and what's happened in the years that have elapsed since the world last heard from them. They also reflect on Grindah's early run-in with Skepta, their case for the ongoing power of pirate radio in the age of AI and the current UKG revival. They engage in a familiar argument about who owns the lineage of the genre, and for Kurupt FM, the answer isn't complicated: if you weren't there the first time around, you just don't get it. Their new EP will be out on August 21st. Listen to the episode in full.
RA.1045 Christian AB
Two sublime hours of house and techno from the Berlin-based DJ and producer, making his long-awaited RA Mix debut. Before COVID-19 shut down clubs in 2020, Christian AB was one of the underground's best-kept secrets. The London-born DJ built a cult following through sets that fused deep house, techno and impossibly rare records, earning a reputation as an IYKYK selector with encyclopedic taste. Now based in Berlin, Christian Browne has stepped into the spotlight, releasing on Francesco Del Garda's Timeless and Ryan Elliott's Faith Beat, while touring alongside Jeff Mills in support of Live at Liquid Room. Browne describes his sound as "dark elegance," and RA.1045 captures it perfectly. Across two hours, driving grooves, acid lines, hazy chords and moments of tension unfold with remarkable patience. The first half-hour drifts through IDM and ambient house before the mix gradually tightens its grip, but every apparent peak is met with an unexpected left turn. It's a masterclass in pacing that rewards repeat listens. Forget the track IDs—just press play. Read the Q&A at ra.co/podcast/1065. @christian_ab
EX.803 Two Shell
The masked duo go on the record to address criticisms, identity and their forthcoming album, Infinite Now. Anonymous DJ-and-producer duo Two Shell are both loved and reviled. They've spent the last few years making the question of their identity inseparable from their music, earning an enormous fanbase with their original, up-tempo productions, and then alienating much of it through relentless pranks. Some of their most illustrious capers have included selling albums embedded in rocks, sending decoys to give fake interviews and booking stand-ins to perform in their place at major gigs and festivals. But after their headline set on Glastonbury's IICON stage last summer—a proper, career-spanning 90 minutes that they actually turned up for—fans flooded their inbox with the same comment: "we know it wasn't you up there! classic!!" Their response was an Instagram post that broke the script. "Anonymity sometimes feels like a mistake," they wrote. And now, on the eve of a new album called Infinite Now, they've agreed to sit down for their first-ever video interview. In this RA Exchange, Two Shell directly address the criticisms that have been levelled against them over the years; discuss what they owe their fans; and unpack their creative process, embrace of AI and more. Listen to the episode in full.
RA.1044 Love Injection
A lesson in universal love, told via deep club grooves. When future heads look back at New York nightlife from the mid-2010s onwards, the name Love Injection will stand out. As historians, stewards and disciples of underground dance music, Barbie Bertisch and Paul Raffaele live and breathe the culture's inclusive, anti-commercial and anti-egotistical ideals. Underlining their myriad pursuits–DJing, promoting, publishing, curation, the list goes on–are ironclad principles destined to cement their legacy. On RA.1044, the duo keep it real. Recorded spontaneously, it shows off their core palette: timeless Detroit house courtesy of Scott Grooves, leftfield 303 squelches from Magic Mountain High, the classic dub techno of Rhythm & Sound and plenty more besides. It's a living history of Love Injection, delivered with their signature level of passion and care. Find the tracklist and Q&A at ra.co/podcast/1063
EX.802 Bladee
The Drain Gang cofounder talks about mysticism, Gen Z and his new album, Sulfur Surfer. Bladee's work as a founding member of the Swedish collective Drain Gang has shaped a new generation of underground music. The group's sound, which is rooted in cloud rap and Auto-Tune experimentation, and pulls from trance, noise, metal, goth and grunge, has earned them an enormous following of fans—AKA "drainers"—overwhelmingly under 30. Bladee has long been one of Drain Gang's most prominent voices, building a prolific solo career alongside the collective's output. His work engages with mysticism through vulnerable, diaristic lyrics about his state of mind. On his new album, Sulfur Surfer, he presents an autobiographical figure caught between "letting go and holding on"—a continuation of his longstanding interest in spirituality and the occult. He draws on the story of St. George, the Swedish painter Hilma af Klint and the occultism of British group Current 93, whose frontman David Tibet makes a guest appearance. In this RA Exchange, Bladee talks about making honest music, the role Drain Gang has played in pushing him to find his voice, his ambivalence about fame and his collaboration with Skrillex. Sulfur Surfer is out now on Trash Island. Listen to the episode in full.