A clinic in minimal from the elusive Acting Press boss. Why do certain sounds cultivate a cult following? Simply put, it's often because they resist easy consumption. PLO Man and his imprint Acting Press lean into this. Searching for the Berlin-based DJ and producer, you won’t find much online presence, interviews or conventional PR. What you will find, if you look hard enough, is a catalogue of records and mixes with a kind of tape hiss charm (a spiritual successor to Basic Channel and Chain Reaction, but scuzzier and lighter on its feet). Founded in 2015, Acting Press once seemed to belong to the short-lived "outsider house" trend, but is now synonymous with a certain strain of modern minimal, one that is analogue, spacious and pointedly lopaque. PLO Man's output, both solo and collaborative, is equally sparse by design: this week, he joins the RA Podcast with a characteristically elusive style, accompanying the near two-hour mix is a one-answer Q&A that gives almost nothing away. Stripped-back, ever-so-slightly sleazy and coated in dust, PLO Man's RA Podcast continues that lineage in style. Opening with the featherlight microhouse of Margaret Dygas, RA.988 unfolds into a carefully curated spectrum of minimal, dub and deep techno. Among familiar names—look out for the blinding Rhythm & Sound and Moodymann blend—are deep cuts and left turns from minimal contemporaries alongside the odd outlier, like lovers' rock pioneer Gregory Isaacs. Even as a young generation develops a newfound appreciation for minimal, there's something quietly radical about how little RA.988 tries to please. It's patient, looping, at times hellbent on thwarting easy gratification—a reminder of how inscrutable some of the genre's hypnotic classics felt on first runthrough. Like the best of his forebears, PLO Man wants it to take time for you to settle in. But once you do, you won’t want to leave. @p_el_oh Find the tracklist and interview at ra.co/podcast/988