Kicking off a run of artist-on-artist Exchanges for RA25, the musical multi-hyphenates discuss poetry, religion and their experiences as protectors of oratorical tradition. There's a deep creative current running between music and poetry, and Saul Williams and James Massiah know those waters well. This week’s RA Exchange is the first in a series of intergenerational artist-on-artist conversations we’ll be running to mark our 25th anniversary. In it, Williams—the Grammy-nominated poet, musician, writer and actor—and Massiah—a South London poet and musician—talk about lyricism and what first drew them to the written word. Both grew up in the church: Williams as the son of a Baptist preacher, Massiah in the Seventh-day Adventist church, raised on the King James Bible. They discuss how those upbringings shaped their sense of oratory and morality, and the tension between rejecting institutional religion and still holding on to its aesthetic traditions. They also get into what happens when a poem meets music, and what a dance floor can be beyond entertainment. Williams argues it has always been a training ground: a space for resistance, ceremony and mobilisation, where ideas can spark minds and movements. Massiah, meanwhile, explains how simply wanting to keep partying ended up radicalising him. As he puts it: "Where are we going to party if the bad guys have got all the good party locations?" The conversation was recorded in Amsterdam, where Williams performed with Underground Resistance. His new album, Leap Life, is out now on Big Dada. Listen to the full episode.