Design is everywhere in our lives, perhaps most importantly in the places where we've just stopped noticing. 99% Invisible is a weekly exploration of the process and power of design and architecture. From award winning producer Roman Mars. Learn more at 99percentinvisible.org.
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305- The Laff Box
For nearly five decades, the laugh track was ubiquitous on television sitcoms, but in the early 2000s, it began to disappear. What happened? How did we get from the raucous canned laughter of the Beverly Hillbillies to the silent, sly “joke every 20 seconds” of 30 Rock? The curious story of the laugh track starts with one man who created the laugh track as a homemade piece of technology that took over the sound of television and then fell out of fashion with the rise of a more modern sense of humor. What happened to the laugh track is one of the cultural mysteries that are being explored on Slate’s new monthly podcast: Decoder Ring with Willa Paskin The Laff Box Plus, Roman talks to The West Wing Weekly co-host Joshua Malina about his time acting on Sports Night, which was a turning point in the history of the television laugh track. Learn more and subscribe to Decoder Ring Subscribe to The West Wing Weekly
304- Gander International Airport
The Gander Airport in Newfoundland was once the easternmost airfield in North America, so when transatlantic air travel was new and difficult through the mid-20th century, Gander played a critical role in getting people back and forth from Europe to America. This made the tiny town of Gander an unlikely international hub, hosting the likes of Fidel Castro, Marilyn Monroe, Frank Sinatra, and the Queen of England in the beautiful, mid-century modern lounge. The lounge and bar at the airport also served as the town’s major hotspot, so the locals just hung out there, always with the possibility they’d rub elbows with a huge international celebrity. Once airplanes could easily make it across the Atlantic without refueling in Gander, the airport got really quiet, but the town that hosted the most famous people in the world found a new purpose on 9/11 when they welcomed 7000 stranded passengers unable to enter US airspace. Gander International Airport
303- The Hair Chart
Andre Walker became famous for being Oprah Winfrey’s hair stylist, but he is also known for something else: a system that he created back in the 1990s to market his line of hair care products. The system categorizes natural hair types, and it's often referred to simply as "the hair chart." The chart identifies four hair types and within each of those categories there are different sub-types. The chart spans straight, wavy, curly, and kinky hair. For Walker, the chart was all about selling his products. People could use it to identify their hair type and then buy a complementary product. But the chart has gone way beyond his own hair care line and become a way some African-American people talk and think about hair. Not everyone thinks the categories are helpful, and some of the criticism has its roots far back in American history. The Hair Chart This episode is a collaboration with The Stoop, a podcast hosted by Leila Day and Hana Baba, which features stories from across the black diaspora.
302- Lessons from Las Vegas
To this day, architects tend to turn their noses up at Las Vegas, or simply dismiss it as irrelevant to serious design theory. But as Denise Scott Brown discovered in the mid-1960s, there is so much to learn from Las Vegas about how to make architecture that speaks to people and not just to architects. Lessons from Las Vegas
301- Making it Rain
The battlefield has always been at the mercy of the climate, but there was a time in U.S. military history when we did more than just pray for advantageous weather. We tried to create it. Making it Rain
300- Airships and the Future that Never Was
They are hulking, but graceful -- human-made whales that float in the air. For over a century, lighter-than-air vehicles have captured the public imagination, playing a recurring role in our dreams of alternate realities and futures that might have been. In these visions, cargo and passengers traverse the globe in smoothly gliding aircraft, then dock elegantly at the mooring towers on top of Art Deco skyscrapers. Today, blimps are mostly just PR gimmicks, but for 100 years, lighter-than-air crafts were seriously considered as the perfect design solution for all kinds of problems, at least in theory. And despite setbacks and failures, people just wouldn’t give up on the promise of airships. The most promising (and most opulent) rigid airship of the 1920s era was Britain’s R101 (the R stands for rigid) and its rise and dramatic fall is the primary subject of engineering expert Bill Hammack’s new book about Britain’s last great airship, called Fatal Flight. Airships and the Future that Never Was
299- Gerrymandering
The way we draw our political districts has a huge effect on U.S. politics, but the process is also greatly misunderstood. Gerrymandering has become a scapegoat for what’s wrong with the polarized American political system, blamed for marginalizing groups and rigging elections, but there’s no simple, one-size-fits-all design solution for drawing fair districts. Drawing districts may be the most important design problem of representative democracy and this week FiveThirtyEight will guide us through the ways different states have tackled this problem. Gerrymandering Check out the full Five Thirty Eight series The Gerrymandering Project
200- Miss Manhattan Redux
All around the country, there stands a figure so much a part of historical architecture and urban landscapes that she is rarely noticed. She has gone by many names, from Star Maiden to Priestess of Culture, Spirit of Life to Mourning Victory. Now nearly forgotten, Audrey Munson was once the most famous artist’s model in the United States. In and beyond her time, she has represented many things, including truth, memory, seasons, the stars, and even the universe itself. Immortalized in iron, marble and gold, Audrey remains perched on high, quietly watching over cities from coast to coast. Miss Manhattan
298- Fordlandia
In the late 1920s, the Ford Motor Company bought up millions of acres of land in Brazil. They loaded boats with machinery and supplies, and shipped them deep into the Amazon rainforest. Workers cut down trees and cleared the land and then they built a rubber plantation in the middle of one of the wildest places on earth. But Henry Ford wanted this community -- called “Fordlândia” -- to be more than just a huge plantation. He envisioned an industrial utopia. He paid his Brazilian workers good wages, at least for the region. And he tried to build them the kind of place he would’ve loved to live, which is to say: a small Midwestern town...but in the middle of the jungle. Fordlandia In the second segment, we discuss Roman’s other show What Trump Can Teach Us About Con Law
297- Blood, Sweat and Tears (City of the Future, Part 2)
The Bijlmermeer (or Bijlmer, for short) was built just outside of Amsterdam in the 1960s. It was designed by modernist architects to be a "city of the future" with its functions separated into distinct zones. To Modernists, it represented a vision of the city as a well-oiled machine Upon completion, it was a massive expanse of 31 concrete towers. There were 13,000 apartments, many of them unoccupied. Just sitting there, totally empty. Listen to Part 1 of this story here. In Part 2, we look at how the migration of tens of thousands of Surinamese Dutch began to give the empty place life where it wasn’t before and how a tragic accident kickstarted a redesign that managed to do what the Modernists neglected to do: listen to the people who live there. Blood, Sweat and Tears (City of the Future, Part 2)
296- Bijlmer (City of the Future, Part 1)
After World War 2, city planners in Amsterdam wanted to design the perfect “City of the Future.” They decided to build a new neighborhood, close to Amsterdam, that would be a perfect encapsulation of Modernist principles. It was called the Bijlmermeer, and it tested the lofty ideas of the International Congress of Modern Architecture on a grand scale. When it was over, no one would ever try it again. Bijlmer (City of the Future, Part 1)
295- Making a Mark: Visual Identity with Tom Geismar
The Chase logo was introduced in 1961, when the Chase National Bank and the Bank of the Manhattan Company merged to form the Chase Manhattan Bank. At the time, few American corporations used abstract symbols for their identification. Seen as radical in that context, the Chase symbol has survived a number of subsequent mergers and has become one of the world’s most recognizable trademarks. Its graphic designer, Tom Geismar, has been a driving force in the field of design and graphic identity for over 60 years. The influence of the firm he co-founded can be felt in logos you see every day. Making a Mark: Visual Identity with Tom Geismar
294- Border Wall
When current President Donald Trump took office, he promised to build an “an impenetrable, physical, tall, powerful, beautiful, southern border wall." The first part of this episode by Radio Diaries tells two stories of what happens when, instead of people crossing the border, the border crosses the people. Then, in part two of the show, Avery Trufelman takes a closer look at eight current designs that have been turned into prototypes near the border in California. Border Wall Learn more about Radio Diaries
293- Managed Retreat
In the 1970s it looked like the beloved, 200-year-old Cape Hatteras lighthouse was in danger. The sea was getting closer and threatening to swallow it up. And people were torn over what to do about it - they could move the lighthouse, or leave it in place and try to defend it against the forces of nature. For the next 30 years, the locals fought an intense political battle over this decision. It’s the kind of battle we can expect to see a lot more of as sea levels rise and threaten coastal communities around the world. Managed Retreat
292- Speech Bubbles: Understanding Comics with Scott McCloud
Cartoonist and theorist Scott McCloud has been making and thinking about comics for decades. He is the author of Understanding Comics: The Invisible Art. This classic volume explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used. Scott McCloud breaks down some of the universals in comics and guides us through some of the comic books that pushed the art form forward. Then we use that lens to look at graphic communication in the world at large. Speech Bubbles: Understanding Comics with Scott McCloud