Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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Is Shakespeare History? The Romans
In the second of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, continuing with the Roman plays. Rome was the setting for Titus Andronicus, Julius Caesar, Coriolanus and parts of Antony and Cleopatra and these plays gave Shakespeare the chance to explore ideas too controversial for English histories. How was Shakespeare reimagining Roman history, and what impact has that had on how we see Rome today? The image above is of Marlon Brando playing Mark Antony in a scene from the film version of Shakespeare's Julius Caesar, 1953 With Sir Jonathan Bate Provost of Worcester College, University of Oxford Catherine Steel Professor of Classics and Dean of Research in the College of Arts at the University of Glasgow And Patrick Gray Associate Professor of English Studies at Durham University Producer: Simon Tillotson
Is Shakespeare History? The Plantagenets
In the first of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, starting with the English Plantagenets. His eight plays from Richard II to Richard III were written out of order, in the Elizabethan era, and have had a significant impact on the way we see those histories today. In the second programme, Melvyn discusses the Roman plays. The image above is of Richard Burton (1925 - 1984) as Henry V in the Shakespeare play of the same name, from 1951 With Emma Smith Professor of Shakespeare Studies at Hertford College, University of Oxford Gordon McMullan Professor of English at King’s College London and Director of the London Shakespeare Centre And Katherine Lewis Senior Lecturer in Medieval History at the University of Huddersfield Producer: Simon Tillotson
Edith Wharton
Melvyn Bragg and guests discuss the works of Wharton (1862-1937) such as The Age of Innocence for which she won the Pulitzer Prize and was the first woman to do so, The House of Mirth, and The Custom of the Country. Her novels explore the world of privileged New Yorkers in the Gilded Age of the late C19th, of which she was part, drawing on her own experiences and written from the perspective of the new century, either side of WW1 . Among her themes, she examined the choices available to women and the extent to which they could ever really be free, even if rich. With Dame Hermione Lee Biographer, former President of Wolfson College, Oxford Bridget Bennett Professor of American Literature and Culture at the University of Leeds And Laura Rattray Reader in North American Literature at the University of Glasgow Producer: Simon Tillotson
Dietrich Bonhoeffer
Melvyn Bragg and guests discuss the ideas and life of the German theologian, born in Breslau/Wroclaw in 1906 and killed in the Flossenbürg concentration camp on 9th April 1945. Bonhoeffer developed ideas about the role of the Church in the secular world, in particular Germany after the Nazis took power in 1933 and demanded the Churches' support. He strongly opposed anti-Semitism and, with a role in the Military Intelligence Department, took part in the resistance, plotting to kill Hitler and meeting with contacts in the Allies. Bonhoeffer's ideas on Christian ethics and the relationship between Christianity and humanism spread more widely from the 1960s with the discovery of unpublished works, including those written in prison as he awaited execution. With Stephen Plant Dean and Runcie Fellow at Trinity Hall at the University of Cambridge Eleanor McLaughlin Lecturer in Theology and Ethics at the University of Winchester and Lecturer in Ethics at Regent’s Park College at the University of Oxford And Tom Greggs Marischal Chair of Divinity at the University of Aberdeen Producer: Simon Tillotson
Automata
Melvyn Bragg and guests discuss the history of real and imagined machines that appear to be living, and the questions they raise about life and creation. Even in myth they are made by humans, not born. The classical Greeks built some and designed others, but the knowledge of how to make automata and the principles behind them was lost in the Latin Christian West, remaining in the Greek-speaking and Arabic-speaking world. Western travellers to those regions struggled to explain what they saw, attributing magical powers. The advance of clockwork raised further questions about what was distinctly human, prompting Hobbes to argue that humans were sophisticated machines, an argument explored in the Enlightenment and beyond. The image above is Jacques de Vaucanson's mechanical duck (1739), which picked up grain, digested and expelled it. If it looks like a duck... with Simon Schaffer Professor of History of Science at Cambridge University Elly Truitt Associate Professor of Medieval History at Bryn Mawr College And Franziska Kohlt Doctoral Researcher in English Literature and the History of Science at the University of Oxford Producer: Simon Tillotson
The Iliad
Melvyn Bragg and guests discuss the great epic poem attributed to Homer, telling the story of an intense episode in the Trojan War. It is framed by the wrath of the Greek hero Achilles, insulted by his leader Agamemnon and withdrawing from the battle that continued to rage, only returning when his close friend Patroclus is killed by the Trojan hero Hector. Achilles turns his anger from Agamemnon to Hector and the fated destruction of Troy comes ever closer. With Edith Hall Professor of Classics at King's College London Barbara Graziosi Professor of Classics at Princeton University And Paul Cartledge A.G. Leventis Senior Research Fellow and Emeritus Professor of Greek Culture at Clare College, Cambridge Producer: Simon Tillotson.
William Morris
Melvyn Bragg and guests discuss the ideas of William Morris, known in his lifetime for his poetry and then his contribution to the Arts and Crafts movement, and increasingly for his political activism. He felt the world had given in to drudgery and ugliness and he found inspiration in the time before industrialisation, in the medieval life which was about fellowship and association and ways of working which resisted the division of labour and allowed the worker to exercise his or her imagination. Seeing a disconnection between art and society, his solution was revolution which in his view was the only way to reset their relationship. The image above is from the Strawberry Thief wallpaper design by William Morris. With Ingrid Hanson Lecturer in 18th and 19th Century Literature at the University of Manchester Marcus Waithe University Senior Lecturer in English Literature at the University of Cambridge and Fellow of Magdalene College And Jane Thomas Professor of Victorian and Early 20th Century Literature at the University of Hull Producer: Simon Tillotson.
The Mexican-American War
Melvyn and guests discuss the 1846-48 conflict after which the United States of Mexico lost half its territory to the United States of America. The US gained land covered by the states of Texas, Utah, California, New Mexico, Nevada, Arizona and part of Colorado. The outcome had a profound impact on Native Americans and led to civil war in defeated Mexico. It also raised the question of whether slavery would be legal in this acquired territory - something that would only be resolved in the US Civil War, which this victory hastened. With Frank Cogliano Professor of American History at the University of Edinburgh Jacqueline Fear-Segal Professor of American and Indigenous Histories at the University of East Anglia And Thomas Rath Lecturer in Latin American History at University College London Producer: Simon Tillotson.
Echolocation
Melvyn Bragg and guests discuss how some bats, dolphins and other animals emit sounds at high frequencies to explore their environments, rather than sight. This was such an unlikely possibility, to natural historians from C18th onwards, that discoveries were met with disbelief even into the C20th; it was assumed that bats found their way in the dark by touch. Not all bats use echolocation, but those that do have a range of frequencies for different purposes and techniques for preventing themselves becoming deafened by their own sounds. Some prey have evolved ways of detecting when bats are emitting high frequencies in their direction, and some fish have adapted to detect the sounds dolphins use to find them. With Kate Jones Professor of Ecology and Biodiversity at University College London Gareth Jones Professor of Biological Sciences at the University of Bristol And Dean Waters Lecturer in the Environment Department at the University of York Producer: Simon Tillotson.
Montesquieu
Melvyn Bragg and guests discuss the ideas of Charles-Louis de Secondat, Baron de La Brède et de Montesquieu (1689-1755) whose works on liberty, monarchism, despotism, republicanism and the separation of powers were devoured by intellectuals across Europe and New England in the eighteenth century, transforming political philosophy and influencing the American Constitution. He argued that an individual's liberty needed protection from the arm of power, checking that by another power; where judicial, executive and legislative power were concentrated in the hands of one figure, there could be no personal liberty. With Richard Bourke Professor in the History of Political Thought at Queen Mary, University of London Rachel Hammersley Senior Lecturer in Intellectual History at Newcastle University And Richard Whatmore Professor of Modern History at the University of St Andrews and Director of the St Andrews Institute of Intellectual History Producer: Simon Tillotson.
Persepolis
Melvyn Bragg and guests discuss the role of the great 'City of the Persians' founded by Darius I as the ceremonial capital of the Achaemenid Empire that stretched from the Indus Valley to Egypt and the coast of the Black Sea. It was known as the richest city under the sun and was a centre at which the Empire's subject peoples paid tribute to a succession of Achaemenid leaders, until the arrival of Alexander III of Macedon who destroyed it by fire supposedly in revenge for the burning of the Acropolis in Athens. The image above is a detail from a relief at the Apadana, the huge audience hall, and shows a lion attacking a bull. With Lloyd Llewellyn-Jones Professor of Ancient History at Cardiff University Vesta Sarkhosh Curtis Curator of Middle Eastern Coins at the British Museum And Lindsay Allen Lecturer in Greek and Near Eastern History at King's College London Producer: Simon Tillotson.
Henrik Ibsen
Melvyn Bragg and guests discuss the great Norwegian playwright and poet, best known for his middle class tragedies such as The Wild Duck, Hedda Gabler, A Doll's House and An Enemy of the People. These are set in a world where the middle class is dominant and explore the qualities of that life, its weaknesses and boundaries and the ways in which it takes away freedoms. It is the women who fare the worst in this society, something Ibsen explored in A Doll's House among others, a play that created a sensation with audiences shocked to watch a woman break free of her bourgeois family life to find her destiny. He explored dark secrets such as incest and, in Ghosts, hereditary syphilis, which attracted the censors. He gave actresses parts they had rarely had before, and audiences plays that, after Shakespeare, became the most performed in the world. With Tore Rem Professor of English Literature at the University of Oslo Kirsten Shepherd-Barr Professor of English and Theatre Studies and Tutorial Fellow, St Catherine's College at the University of Oxford And Dinah Birch Professor of English Literature and Pro-Vice Chancellor for Cultural Engagement at the University of Liverpool Producer: Simon Tillotson.
Margaret of Anjou
Melvyn Bragg and guests discuss one of the most remarkable queens of the Middle Ages who took control when her husband, Henry VI, was incapable. Margaret of Anjou (1430-1482) wanted Henry to stay in power for the sake of their son, the heir to the throne, and her refusal to back down was seen by her enemies as a cause of the great dynastic struggle of the Wars of the Roses. The image above is from the Talbot Shrewsbury Book, showing John Talbot, 1st Earl of Shrewsbury, presenting Margaret with that book on her betrothal to Henry With Katherine Lewis Senior Lecturer in Medieval History at the University of Huddersfield James Ross Reader in Late Medieval History at the University of Winchester And Joanna Laynesmith Visiting Research Fellow at the University of Reading Producer: Simon Tillotson.
The Emancipation of the Serfs
Melvyn Bragg and guests discuss the 1861 declaration by Tsar Alexander II that serfs were now legally free of their landlords. Until then, over a third of Russians were tied to the land on which they lived and worked and in practice there was little to distinguish their condition from slavery. Russia had lost the Crimean War in 1855 and there had been hundreds of uprisings, prompting the Tsar to tell the nobles, "The existing condition of owning souls cannot remain unchanged. It is better to begin to destroy serfdom from above than to wait until that time when it begins to destroy itself from below." Reform was constrained by the Tsar's wish to keep the nobles on side and, for the serfs, tied by debt and law to the little land they were then allotted, the benefits were hard to see. With Sarah Hudspith Associate Professor in Russian at the University of Leeds Simon Dixon The Sir Bernard Pares Professor of Russian History at UCL And Shane O'Rourke Senior Lecturer in History at the University of York Producer: Simon Tillotson.
The Mabinogion
Melvyn Bragg and guests discuss the eleven stories of Celtic mythology and Arthurian romance known as The Mabinogion, most of which were told and retold for generations before being written down in C14th. Among them are stories of Pwyll and Rhiannon and their son Pryderi, of Culhwch and Olwen, of the dream of the Emperor Macsen, of Lludd and Llefelys, of magic and giants and imagined history. With common themes but no single author, they project an image of the Island of Britain before the Anglo-Saxons and Normans and before Edward I's conquest of Wales. They came to new prominence, worldwide, from C19th with the translation into English by Lady Charlotte Guest aided by William Owen Pughe. The image above is of Cynon ap Clydno approaching the Castle of Maidens from the tale of Owain, or the Lady of the Fountain With Sioned Davies Professor in the School of Welsh at Cardiff University Helen Fulton Professor of Medieval Literature at the University of Bristol And Juliette Wood Associate Lecturer in the School of Welsh at Cardiff University Producer: Simon Tillotson.