Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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Baltic Crusades
Melvyn Bragg and guests discuss the Baltic Crusades, the name given to a series of overlapping attempts to convert the pagans of North East Europe to Christianity at the point of the sword. From the 12th Century, Papal Bulls endorsed those who fought on the side of the Church, the best known now being the Teutonic Order which, thwarted in Jerusalem, founded a state on the edge of the Baltic, in Prussia. Some of the peoples in the region disappeared, either killed or assimilated, and the consequences for European history were profound. With Aleks Pluskowski Associate Professor of Archaeology at the University of Reading Nora Berend Fellow of St Catharine's College and Reader in European History at the Faculty of History at the University of Cambridge and Martin Palmer Director of the International Consultancy on Religion, Education, and Culture Producer: Simon Tillotson.
Justinian's Legal Code
Melvyn Bragg and guests discuss the ideas brought together under Justinian I, Byzantine emperor in the 6th century AD, which were rediscovered in Western Europe in the Middle Ages and became very influential in the development of laws in many European nations and elsewhere. With Caroline Humfress Professor of Medieval History at the University of St Andrews Simon Corcoran Lecturer in Ancient History at Newcastle University and Paul du Plessis Senior Lecturer in Civil law and European legal history at the School of Law, University of Edinburgh Producer: Simon Tillotson.
The Fighting Temeraire
This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'. With Susan Foister Curator of Early Netherlandish, German and British Painting at the National Gallery David Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britain and James Davey Curator of Naval History at the National Maritime Museum Producer: Simon Tillotson.
Epic of Gilgamesh
"He who saw the Deep" are the first words of the standard version of The Epic of Gilgamesh, the subject of this discussion between Melvyn Bragg and his guests. Gilgamesh is often said to be the oldest surviving great work of literature, with origins in the third millennium BC, and it passed through thousands of years on cuneiform tablets. Unlike epics of Greece and Rome, the intact story of Gilgamesh became lost to later generations until tablets were discovered by Hormuzd Rassam in 1853 near Mosul and later translated. Since then, many more tablets have been found and much of the text has been reassembled to convey the story of Gilgamesh, king of Uruk the sheepfold, and Enkidu who the gods created to stop Gilgamesh oppressing his people. Together they fight Humbaba, monstrous guardian of the Cedar Forest, and kill the Bull of Heaven, for which the gods make Enkidu mortally ill. Gilgamesh goes on a long journey as he tries unsuccessfully to learn how to live forever, learning about the Great Deluge on the way, but his remarkable building works guarantee that his fame will last long after his death. With Andrew George Professor of Babylonian at SOAS, University of London Frances Reynolds Shillito Fellow in Assyriology at the Oriental Institute, University of Oxford and Fellow of St Benet's Hall and Martin Worthington Lecturer in Assyriology at the University of Cambridge Producer: Simon Tillotson.
John Dalton
The scientist John Dalton was born in North England in 1766. Although he came from a relatively poor Quaker family, he managed to become one of the most celebrated scientists of his age. Through his work, he helped to establish Manchester as a place where not only products were made but ideas were born. His reputation during his lifetime was so high that unusually a statue was erected to him before he died. Among his interests were meteorology, gasses and colour blindness. However, he is most remembered today for his pioneering thinking in the field of atomic theory. With: Jim Bennett Former Director of the Museum of the History of Science at the University of Oxford and Keeper Emeritus at the Science Museum Aileen Fyfe Reader in British History at the University of St Andrews James Sumner Lecturer in the History of Technology at the Centre for the History of Science, Technology and Medicine at the University of Manchester Producer: Victoria Brignell.
The 12th Century Renaissance
Melvyn Bragg and guests discuss the changes in the intellectual world of Western Europe in the 12th Century, and their origins. This was a time of Crusades, the formation of states, the start of Gothic architecture, a reconnection with Roman and Greek learning and their Arabic development and the start of the European universities, and has become known as The 12th Century Renaissance. The image above is part of Notre-Dame de la Belle-Verrière, Chartres Cathedral, from 1180. With Laura Ashe Associate Professor of English at Worcester College, University of Oxford Elisabeth van Houts Honorary Professor of European Medieval History at the University of Cambridge and Giles Gasper Reader in Medieval History at Durham University Producer: Simon Tillotson.
Plasma
Melvyn Bragg and guests discuss plasma, the fourth state of matter after solid, liquid and gas. As over ninety-nine percent of all observable matter in the Universe is plasma, planets like ours, with so little plasma and so much solid, liquid and gas, appear all the more remarkable. On the grand scale, plasma is what the Sun is made from and, when we look into the night sky, almost everything we can see with the naked eye is made of plasma. On the smallest scale, here on Earth, scientists make plasma to etch the microchips on which we rely for so much. Plasma is in the fluorescent light bulbs above our heads and, in laboratories around the world, it is the subject of tests to create, one day, an inexhaustible and clean source of energy from nuclear fusion. With Justin Wark Professor of Physics and Fellow of Trinity College at the University of Oxford Kate Lancaster Research Fellow for Innovation and Impact at the York Plasma Institute at the University of York and Bill Graham Professor of Physics at Queens University, Belfast Producer: Simon Tillotson.
Lakshmi
Melvyn Bragg and guests discuss the origins of the Hindu goddess Lakshmi, and of the traditions that have built around her for over 3,000 years. According to the creation story of the Puranas, she came to existence in the churning of the ocean of milk. Her prominent status grew alongside other goddesses in the mainly male world of the Vedas, as female deities came to be seen as the Shakti, the energy of the gods, without which they would be powerless. Lakshmi came to represent the qualities of blessing, prosperity, fertility, beauty and good fortune and, more recently, political order, and she has a significant role in Diwali, one of the most important of the Hindu festivals. With Jessica Frazier Lecturer in Religious Studies at the University of Kent Research Fellow at the Oxford Centre for Hindu Studies at the University of Oxford Jacqueline Suthren-Hirst Senior Lecturer in South Asian Studies at the University of Manchester and Chakravarthi Ram-Prasad Professor of Comparative Religion and Philosophy at Lancaster University Producer: Simon Tillotson.
Animal Farm
Melvyn Bragg and guests discuss Animal Farm, which Eric Blair published under his pen name George Orwell in 1945. A biting critique of totalitarianism, particularly Stalinism, the essay sprung from Orwell's experiences fighting Fascists in Spain: he thought that all on the left were on the same side, until the dominant Communists violently suppressed the Anarchists and Trotskyists, and Orwell had to escape to France to avoid arrest. Setting his satire in an English farm, Orwell drew on the Russian Revolution of 1917, on Stalin's cult of personality and the purges. The leaders on Animal Farm are pigs, the secret police are attack dogs, the supporters who drown out debate with "four legs good, two legs bad" are sheep.At first, London publishers did not want to touch Orwell's work out of sympathy for the USSR, an ally of Britain in the Second World War, but the Cold War gave it a new audience and Animal Farm became a commercial as well as a critical success.Featuring: Steven Connor - Grace 2 Professor of English at the University of CambridgeMary Vincent - Professor of Modern European History at the University of SheffieldRobert Colls - Professor of Cultural History at De Montfort UniversityProducer: Simon TillotsonFirst broadcast on BBC Radio 4 in September 2016.
Zeno's Paradoxes
In a programme first broadcast in 2016, Melvyn Bragg and guests discuss Zeno of Elea, a pre-Socratic philosopher from c490-430 BC whose paradoxes were described by Bertrand Russell as "immeasurably subtle and profound." The best known argue against motion, such as that of an arrow in flight which is at a series of different points but moving at none of them, or that of Achilles who, despite being the faster runner, will never catch up with a tortoise with a head start. Aristotle and Aquinas engaged with these, as did Russell, yet it is still debatable whether Zeno's Paradoxes have been resolved. With Marcus du Sautoy Professor of Mathematics and Simonyi Professor for the Public Understanding of Science at the University of Oxford Barbara Sattler Lecturer in Philosophy at the University of St Andrews and James Warren Reader in Ancient Philosophy at the University of Cambridge Producer: Simon Tillotson
The Invention of Photography
Melvyn Bragg and guests discuss the development of photography in the 1830s, when techniques for 'drawing with light' evolved to the stage where, in 1839, both Louis Daguerre and William Henry Fox Talbot made claims for its invention. These followed the development of the camera obscura, and experiments by such as Thomas Wedgwood and Nicéphore Niépce, and led to rapid changes in the 1840s as more people captured images with the daguerreotype and calotype. These new techniques changed the aesthetics of the age and, before long, inspired claims that painting was now dead. With Simon Schaffer Professor of the History of Science at the University of Cambridge Elizabeth Edwards Emeritus Professor of Photographic History at De Montfort University And Alison Morrison-Low, Research Associate at National Museums Scotland Producer: Simon Tillotson.
Sovereignty
Melvyn Bragg and guests discuss the history of the idea of Sovereignty, the authority of a state to govern itself and the relationship between the sovereign and the people. These ideas of external and internal sovereignty were imagined in various ways in ancient Greece and Rome, and given a name in 16th Century France by the philosopher and jurist Jean Bodin in his Six Books of the Commonwealth, where he said (in an early English translation) 'Maiestie or Soveraigntie is the most high, absolute, and perpetuall power over the citisens and subiects in a Commonweale: which the Latins cal Maiestatem, the Greeks akra exousia, kurion arche, and kurion politeuma; the Italians Segnoria, and the Hebrewes tomech shévet, that is to say, The greatest power to command.' Shakespeare also explored the concept through Richard II and the king's two bodies, Hobbes developed it in the 17th Century, and the idea of popular sovereignty was tested in the Revolutionary era in America and France. With Melissa Lane Class of 1943 Professor of Politics at Princeton University Richard Bourke Professor in the History of Political Thought at Queen Mary University of London and Tim Stanton Senior Lecturer in the Department of Politics at the University of York Producer: Simon Tillotson.
Songs of Innocence and of Experience
Melvyn Bragg and guests discuss William Blake's collection of illustrated poems "Songs of Innocence and of Experience." He published Songs of Innocence first in 1789 with five hand-coloured copies and, five years later, with additional Songs of Experience poems and the explanatory phrase "Shewing the Two Contrary States of the Human Soul." Blake drew on the street ballads and improving children's rhymes of the time, exploring the open and optimistic outlook of early childhood with the darker and more cynical outlook of adult life, in which symbols such as the Lamb belong to innocence and the Tyger to experience. With Sir Jonathan Bate Provost of Worcester College, University of Oxford Sarah Haggarty Lecturer at the Faculty of English and Fellow of Queens' College, University of Cambridge And Jon Mee Professor of Eighteenth-Century Studies at the University of York Producer: Simon Tillotson.
The Bronze Age Collapse
Melvyn Bragg and guests discuss The Bronze Age Collapse, the name given by many historians to what appears to have been a sudden, uncontrolled destruction of dominant civilizations around 1200 BC in the Aegean, Eastern Mediterranean and Anatolia. Among other areas, there were great changes in Minoan Crete, Egypt, the Hittite Empire, Mycenaean Greece and Syria. The reasons for the changes, and the extent of those changes, are open to debate and include droughts, rebellions, the breakdown of trade as copper became less desirable, earthquakes, invasions, volcanoes and the mysterious Sea Peoples. With John Bennet Director of the British School at Athens and Professor of Aegean Archaeology at the University of Sheffield Linda Hulin Fellow of Harris Manchester College and Research Officer at the Oxford Centre for Maritime Archaeology at the University of Oxford And Simon Stoddart Fellow of Magdalene College and Reader in Prehistory at the University of Cambridge Producer: Simon Tillotson.
Penicillin
Melvyn Bragg and guests discuss penicillin, discovered by Alexander Fleming in 1928. It is said he noticed some blue-green penicillium mould on an uncovered petri dish at his hospital laboratory, and that this mould had inhibited bacterial growth around it. After further work, Fleming filtered a broth of the mould and called that penicillin, hoping it would be useful as a disinfectant. Howard Florey and Ernst Chain later shared a Nobel Prize in Medicine with Fleming, for their role in developing a way of mass-producing the life-saving drug. Evolutionary theory predicted the risk of resistance from the start and, almost from the beginning of this 'golden age' of antibacterials, scientists have been looking for ways to extend the lifespan of antibiotics. With Laura Piddock Professor of Microbiology at the University of Birmingham Christoph Tang Professor of Cellular Pathology and Professorial Fellow at Exeter College at the University of Oxford And Steve Jones Emeritus Professor of Genetics at University College, London Producer: Simon Tillotson.