Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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The Spanish Armada
Melvyn Bragg and his guests discuss the Spanish Armada. On May 28th, 1588, a fleet of a hundred and fifty-one Spanish ships set out from Lisbon, bound for England. Its mission was to transport a huge invasion force across the Channel: the Spanish King, Philip II, was determined to remove Elizabeth from the throne and return the English to the Catholic fold. Two months later the mighty Spanish Armada was sighted off the coast of Cornwall. Bad weather, poor planning and spirited English resistance defeated the Spaniards: after a brief battle the remnants of their fleet fled. This tale of religious dispute, shifting political alliance and naval supremacy has entered our folklore - although some historians argue it changed nothing.With:Diane PurkissFellow and Tutor at Keble College, OxfordMia Rodriguez-SalgadoProfessor in International History at the London School of EconomicsNicholas RodgerSenior Research Fellow at All Souls College at the University of OxfordProducer: Thomas Morris.
The Delphic Oracle
Melvyn Bragg and his guests discuss the Delphic Oracle, the most important source of prophecies in the ancient world. In central Greece, on the flank of Mount Parnassus, lies the ruined city of Delphi. For over a thousand years, between approximately 800 BC and 400 AD, this was the most sacred place in the ancient world. Its chief attraction was the Delphic Oracle, which predicted the future and offered petitioners advice.Travellers journeyed for weeks for a chance to ask the oracle a question. The answers, given by a mysterious priestess called the Pythia, were believed to come straight from the god Apollo. At the height of Greek civilisation the oracle was revered, and its opinion sought in some of the most significant conflicts of the age. Its activities were documented by historians including Xenophon and Plutarch, and it was regularly depicted in Greek tragedy, most famously Sophocles's masterpiece Oedipus the King.With: Paul CartledgeA G Leventis Professor of Greek Culture at Cambridge UniversityEdith HallProfessor of Classics and Drama at Royal Holloway, University of LondonNick LoweReader in Classical Literature at Royal Holloway, University of London.Producer: Thomas Morris.
Imaginary Numbers
Melvyn Bragg and his guests discuss imaginary numbers. In the sixteenth century, a group of mathematicians in Bologna found a solution to a problem that had puzzled generations before them: a completely new kind of number. For more than a century this discovery was greeted with such scepticism that the great French thinker Rene Descartes dismissed it as an "imaginary" number.The name stuck - but so did the numbers. Long dismissed as useless or even fictitious, the imaginary number i and its properties were first explored seriously in the eighteenth century. Today the imaginary numbers are in daily use by engineers, and are vital to our understanding of phenomena including electricity and radio waves. With Marcus du SautoyProfessor of Mathematics at Oxford University Ian StewartEmeritus Professor of Mathematics at the University of WarwickCaroline SeriesProfessor of Mathematics at the University of WarwickProducer: Thomas Morris.
Pliny's Natural History
Melvyn Bragg and his guests discuss Pliny's Natural History.Some time in the first century AD, the Roman scholar Pliny the Elder published his Naturalis Historia, or Natural History, an enormous reference work which attempted to bring together knowledge on every subject under the sun. The Natural History contains information on zoology, astronomy, geography, minerals and mining and - unusually for a work of this period - a detailed treatise on the history of classical art. It's a fascinating snapshot of the state of human knowledge almost two millennia ago.Pliny's 37-volume magnum opus is one of the most extensive works of classical scholarship to survive in its entirety, and was being consulted by scholars as late as the Renaissance. It had a significant influence on intellectual history, and has provided the template for every subsequent encyclopaedia.With:Serafina CuomoReader in Roman History at Birkbeck, University of LondonAude DoodyLecturer in Classics at University College, DublinLiba TaubReader in the History and Philosophy of Science, Cambridge UniversityProducer: Thomas Morris.
Athelstan
Melvyn Bragg and his guests discuss the reign of King Athelstan.Athelstan, the grandson of Alfred the Great, came to the throne of Wessex in 925. A few years later he unified the kingdoms of England, and a decade after that defeated the Scots and styled himself King of all Britain. As well as being a brilliant military commander, Athelstan was a legal reformer whose new laws forever changed the way crime was dealt with in England. Unlike his predecessors, he pursued a foreign policy, seeking alliances with powerful rulers abroad. And unusually for an Anglo-Saxon king, we know what he looked like: he's the earliest English monarch whose portrait survives.With:Sarah FootRegius Professor of Ecclesiastical History at Christ Church, OxfordJohn HinesProfessor of Archaeology at Cardiff UniversityRichard GamesonProfessor of the History of the Book at Durham UniversityProducer: Thomas Morris.
Antarctica
Melvyn Bragg and his guests discuss the history of Antarctica.The most southerly of the continents is the bleakest and coldest place on Earth. Almost entirely covered in ice, Antarctica spends much of the winter in total darkness.Antarctica was first named in the second century AD by the geographer Marinus of Tyre, who was one of many early geographers to speculate about the existence of a huge southern landmass to balance the known lands of northern Europe. But it wasn't until the nineteenth century that modern man laid eyes on the continent.In the intervening two hundred years the continent has been the scene for some of the most famous - and tragic - events of human exploration. In 1959 an international treaty declared Antarctica a scientific reserve, set aside for peaceful use by any nation willing to subscribe to the terms of the agreement.With: Jane FrancisProfessor of Paleoclimatology at the University of LeedsJulian DowdeswellDirector of the Scott Polar Research Institute and Professor of Physical Geography at the University of CambridgeDavid WaltonEmeritus Professor at the British Antarctic Survey and Visiting Professor at the University of Liverpool.Producer: Thomas Morris.
The Neanderthals
Melvyn Bragg and his guests discuss the Neanderthals.In 1856, quarry workers in Germany found bones in a cave which seemed to belong to a bear or other large mammal. They were later identified as being from a previously unknown species of hominid similar to a human. The specimen was named Homo neanderthalis after the valley in which the bones were found.This was the first identified remains of a Neanderthal, a species which inhabited parts of Europe and Central Asia from around 400,000 years ago. Often depicted as little more advanced than apes, Neanderthals were in fact sophisticated, highly-evolved hunters capable of making tools and even jewellery.Scholarship has established much about how and where the Neanderthals lived - but the reasons for their disappearance from the planet around 28,000 years ago remain unclear.With: Simon Conway MorrisProfessor of Evolutionary Palaeobiology at the University of CambridgeChris Stringer Research Leader in Human Origins at the Natural History Museum and Visiting Professor at Royal Holloway, University of LondonDanielle SchreveReader in Physical Geography at Royal Holloway, University of LondonProducer: Thomas Morris.
Edmund Burke
Melvyn Bragg and his guests discuss the work of the eighteenth-century philosopher, politician and writer Edmund Burke.Born in Dublin, Burke began his career in London as a journalist and made his name with two works of philosophy before entering Parliament. There he quickly established a reputation as one of the most formidable orators of an age which also included Pitt the Younger.When unrest began in America in the 1760s, Burke was quick to defend the American colonists in their uprising. But it was his response to another revolution which ensured he would be remembered by posterity. In 1790 he published Reflections on the Revolution in France, a work of great literary verve which attacked the revolutionaries and predicted disaster for their project. The book prompted Thomas Paine to write his masterpiece Rights of Man, and Mary Wollstonecraft was among the others to take part in the ensuing pamphlet war. Burke's influence shaped our parliamentary democracy and attitude to Empire, and lingers today.With:Karen O'BrienProfessor of English at the University of WarwickRichard BourkeSenior Lecturer in History at Queen Mary, University of LondonJohn KeaneProfessor of Politics at the University of SydneyProducer: Thomas Morris.
Giorgio Vasari's Lives of the Artists
Melvyn Bragg discusses 'Lives of the Artists' - the great biographer Giorgio Vasari's study of Renaissance painters, sculptors and architects. In 1550 a little known Italian artist, Giorgio Vasari, published a revolutionary book entitled 'Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times'. In it he chronicled the evolution of Italian art from the early pioneer Giotto to the perfection of Michelangelo.For the first time, Vasari set out to record artists' eccentricities and foibles as well as their artistic triumphs. We learn that the painter Piero di Cosimo was scared of the sound of bells, and witness Donatello shouting at his statues. But amongst these beguiling stories of human achievement, Vasari also explained his own theory of what made great art.In more recent decades, Vasari has been criticised for not allowing factual accuracy to get in the way of a good story. Nonetheless, the influence of his work has been unparalleled. It has formed and defined the way we think about Renaissance art to this day and some credit him with being the founder of the discipline of the history of art. Few artists that Vasari criticised have been comprehensively rehabilitated and Vasari's semi-divine trio of Michelangelo, Raphael and Leonardo are still seen as the apotheosis of artistic perfection. With:Evelyn WelchProfessor of Renaissance Studies and Academic Dean for Arts at Queen Mary, University of LondonDavid EkserdjianProfessor of History of Art and Film at the University of LeicesterMartin KempEmeritus Professor in the History of Art at the University of OxfordProducer: Thomas Morris.
The Cavendish Family in Science
From the 1600s to the 1800s, scientific research in Britain was not yet a professional, publicly-funded career.So the wealth, status and freedom enjoyed by British aristocrats gave them the opportunity to play an important role in pushing science forwards - whether as patrons or practitioners.The Cavendish family produced a whole succession of such figures.In the 1600s, the mathematician Sir Charles Cavendish and his brother William collected telescopes and mathematical treatises, and promoted dialogue between British and Continental thinkers. They brought Margaret Cavendish, William's second wife, into their discussions and researches, and she went on to become a visionary, if eccentric, science writer, unafraid to take on towering figures of the day like Robert Hooke.In the 1700s, the brothers' cousin's great-grandson, Lord Charles Cavendish, emerged as a leading light of the Royal Society.Underpinned by his rich inheritance, Charles' son Henry became one of the great experimental scientists of the English Enlightenment.And in the 1800s, William Cavendish, Henry's cousin's grandson, personally funded the establishment of Cambridge University's Cavendish Laboratory. In subsequent decades, the Lab become the site of more great breakthroughs.With:Jim BennettDirector of the Museum of the History of Science at the University of OxfordPatricia FaraSenior Tutor of Clare College, University of CambridgeSimon SchafferProfessor of History of Science at the University of Cambridge and Fellow of Darwin College, CambridgeProducer - Phil Tinline.
William James's 'The Varieties of Religious Experience'
Melvyn Bragg and guests discuss 'The Varieties of Religious Experience' by William James. The American novelist Henry James famously made London his home and himself more English than the English. In contrast, his psychologist brother, William, was deeply immersed in his American heritage. But in 1901, William came to Britain too. He had been invited to deliver a series of prestigious public lectures in Edinburgh. In them, he attempted a daringly original intellectual project. For the first time, here was a close-up examination of religion not as a body of beliefs, but as an intimate personal experience. When the lectures were printed, as 'The Varieties of Religious Experience', they were an instant success.They laid the ground for a whole new area of study - the psychology of religion - and influenced figures from the psychiatrist Carl Jung to the novelist Aldous Huxley. To date, James's book has been reprinted thirty-six times and has been hailed as one of the best non-fiction books of the twentieth century.With:Jonathan ReeFreelance philosopherJohn HaldaneProfessor of Philosophy at the University of St AndrewsGwen Griffith-DicksonEmeritus Professor of Divinity at Gresham College and Director of the Lokahi FoundationProducer: Natasha Emerson.
The Cool Universe
The Cool Universe is the name astronomers give to the matter between the stars.These great clouds of dust and gas are not hot enough to be detected by optical telescopes.But over the last few decades, they have increasingly become the focus of infrared telescopy.Astronomers had long encountered dark, apparently starless patches in the night sky. When they discovered that these were actually areas obscured by dust, they found a way to see through these vexing barriers, using infrared telescopes, to the light beyond.However, more recently, the dust itself has become a source of fascination.The picture now being revealed by infrared astronomy is of a universe that is dynamic.In this dynamic universe, matter is recycled - and so the dust and gas of the Cool Universe play a vital role. They are the material from which the stars are created, and into which they finally disintegrate, enriching the reservoir of cool matter from which new stars will eventually be formed. As a result of the new research, we are now beginning to see first-hand the way our planet was formed when the solar system was born.With:Carolin CrawfordMember of the Institute of Astronomy, and Fellow of Emmanuel College, at the University of CambridgePaul MurdinVisiting Professor of Astronomy at Liverpool John Moores University's Astronomy Research InstituteMichael Rowan-RobinsonProfessor of Astrophysics at Imperial College, LondonProducer: Phil Tinline.
The Great Wall of China
Melvyn Bragg and guests discuss the Great Wall of China.The Great Wall is not a single Wall. It is not visible from space, contrary to popular belief, as it is much too thin. But it remains a spectacular architectural and historical phenomenon.The Great Wall's military importance, and its symbolic power, have varied widely in its long existence, as its place in Chinese life has shifted with the country's history. It was initially constructed at the command of the first Emperor, from 221 BC, and was a combination of the various protective walls that had been built by the smaller states which he had conquered and merged to form China. The original Wall was made of pounded earth, and in places the wind-carved remains of this two thousand year old construction are still visible. But the Wall which is familiar to us today is the work of the Ming Dynasty, and its vast programme of reinforcement - prompted by a renewed threat from the Mongols in the north. In the 17th century, amazed Jesuits sent back reports to Europe about the Wall, and ever since it has held a powerful place in the imagination of the West. Some scholars argue that this in turn has shaped the modern Chinese appreciation of their astounding inheritance.Julia LovellLecturer in Chinese History at Birkbeck College, University of LondonRana MitterProfessor of the History and Politics of Modern China at the University of OxfordFrances WoodHead of the Chinese Section at the British LibraryPRODUCER: PHIL TINLINE.
Roman Satire
Melvyn Bragg and guests discuss Roman Satire. Much of Roman culture was a development of their rich inheritance from the Greeks. But satire was a form the Romans could claim to have invented. The grandfather of Roman satire, Ennius, was also an important figure in early Roman literature more generally. Strikingly, he pioneered both epic and the satirical mockery of epic.But the father of the genre, Lucilius, is the writer credited with taking satire decisively towards what we now understand by the word: incisive invective aimed at particular personalities and their wrongs.All this happened under the Roman Republic, in which there was a large measure of free speech. But then the Republic was overthrown and Augustus established the Empire.The great satirist Horace had fought to save the Republic, but now reinvented himself as a loyal citizen of the Imperium. His satirical work explores the strains and hypocrisies of trying to maintain an independent sense of self at the heart of an autocracy.This struggle was deepened in the work of Persius, whose Stoicism-inflected writing was a quietist attempt to endure under the regime without challenging it.The work of the last great Roman satirist, Juvenal, was famously savage - yet his targets were either generic or long dead. So was satire a conservative or a radical genre? Was it cynical or did it aim to 'improve' people? Did it have any real impact? And was it actually funny?With:Mary BeardProfessor of Classics at Cambridge UniversityDenis FeeneyProfessor of Classics and Giger Professor of Latin at Princeton UniversityDuncan KennedyProfessor of Latin Literature and the Theory of Criticism at the University of BristolProducer: Phil Tinline.
The Zulu Nation's Rise and Fall
Melvyn Bragg and guests discuss the rise and fall of the Zulu Nation.At the beginning of the 19th century, the Zulus were a small pastoral community of a bare few thousand people in the eastern part of what is now South Africa. Their territory was limited to about ten square miles.But within a decade, led by their warrior king, Shaka, they had managed to carve out an empire with a population of many tens of thousands.Shaka was a skilled politician, successfully co-opting many neighbouring peoples into his kingdom as his conquests advanced its borders.He remains best known as a world-class military strategist, who deployed new weapons, and a devastatingly effective technique of encircling enemy troops.But the ground for the Zulus' breathtaking expansion was shaped in part by the destabilising advance of European settlers.It eventually brought the Zulu into confrontation both with the Afrikaners, as at the Battle of Blood River in 1838, and with the British.In the mid-19th century, the Zulu and the British achieved a sustained period of peaceful co-existence.But, especially after the discovery of diamonds began to transform the southern African economy, British priorities changed, and they began to push for a single confederation of the various provinces and colonies.Zululand's independence became an obstacle, and in 1879 the British invaded.On 22 January 1879, the Zulu were unable to overrun a tiny garrison of invaders at Rorke's Drift.Yet on the same day, at the Battle of Isandhlwana, they inflicted a shocking defeat on the well-armed forces of the British Empire - all the more impressive given that the Zulu soldiers were predominantly armed with spears.Nonetheless, the British invasion of Zululand was ultimately successful, and precipitated first annexation, then the kingdom's absorption into the province of Natal (today, KwaZulu-Natal).During their heyday and in the wake of their decline alike, the Zulu became the subject of much myth-making.To the British, the 'Black Napoleon' figure of Shaka, and the vivid image of a proud warrior race, made the Zulu an object of admiration, fear, and appalled fascination, even as the Army moved to subjugate them.And in the decades since the demise of their independent kingdom, the triumphs of the 19th century long remained an important element of the Zulus' collective self-image.With:Saul DavidProfessor of War Studies at the University of BuckinghamSaul DubowProfessor of History at the University of SussexShula MarksEmeritus Professor of History at the School of Oriental and African Studies, University of LondonProducer: Phil Tinline.