Melvyn Bragg and guests discuss the ideas, people and events that have shaped our world.
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The Four Humours
Melvyn Bragg and guests talk about blood, black bile, yellow bile and phlegm. These are the four humours, a theory of disease and health that is among the most influential ideas aver conceived. According to an 11th century Arabic book called the Almanac of Health, an old man went to the doctor complaining of a frigid complexion and stiffness in winter. The doctor, after examining his condition, prescribed a rooster. Being a hot and dry bird it was the perfect tonic for a cold and rheumatic old man. This is medicine by the four humours. The idea that the body is a concoction of these four essential juices is one of the oldest on record. From the Ancient Greeks to the 19th century it explained disease, psychology, habit and personality. When we describe people as being choleric, sanguine or melancholic we are still using the language of the humours today. It also explains why, in the long and convoluted history of medical practice, pigeon livers were an aphrodisiac, blood letting was a form of heroism (and best done in spring) and why you really could be frightened to death. The theory was dismantled from the 17th century but in its belief that the mind and body are intimately connected and that health requires equilibrium the humours retain an influence to this dayWith David Wootton, Anniversary Professor of History at the University of York; Vivian Nutton, Professor of the History of Medicine at University College London; Noga Arikha, Visiting Fellow at the Institut Jean-Nicod in Paris
The Sassanid Empire
Melvyn Bragg and guests discuss the Sassanian Empire. Founded around 226 AD, in Persia, the Sassanian Empire lasted over 400 years as a grand imperial rival to Rome. In modern day Iran, just down the road from the ancient Persian capital of Persepolis, there is a picture carved into a rock. It depicts a king, triumphant on horseback, facing two defeated enemies. This is no pair of petty princes, they are Roman Emperors - Philip and Valerian - and the king towering above them is Shapur I of the Sassanian Empire. So complete was his victory that Shapur is reputed to have used Valerian as a footstool when mounting his horse. This super-power traded goods from Constantinople to Beijing, handed regular defeats to the Roman army and only fell to the Islamic conquests of the 7th century. It still influences Persian identity to this day. But what was the culture and the literature of the empire, its structure and organisation? And what was its role in the great geopolitical game played out between the decaying empires in late antiquity?With Hugh Kennedy, Professor of Arabic in the Faculty of Languages and Cultures at the School of Oriental and African Studies; Vesta Sarkhosh Curtis, Curator of Iranian and Islamic Coins in the British Museum; James Howard-Johnston, University Lecturer in Byzantine Studies at the University of Oxford.
Genetic Mutation
Melvyn Bragg and guests discuss mutation in genetics and evolution. When lying mortally ill with cancer, the British geneticist J.B.S. Haldane penned the following lines: Cancer's a Funny Thing:I wish I had the voice of HomerTo sing of rectal carcinoma,Which kills a lot more chaps, in fact,Than were bumped off when Troy was sacked...Haldane knew better than most that many cancers, and many other diseases, are caused by genetic mutation. A mutation is an error in reproduction between one generation and the next as the copying mechanism that allows you to inherit your parent’s genes goes awry. Mutations are almost always bad news for the organism that suffers them and yet mutation is also a giver of life. Without it there would be no natural selection, no evolution and, arguably, no life on this planet. It’s not unreasonable to see life itself as a mutation and to understand this may also hold the key to aging and disease. It is, in the Darwinian view of life, the raw material of evolution.With Steve Jones, Professor of Genetics in the Galton Laboratory, University College London; Adrian Woolfson, lectures in Medicine at Cambridge University; Linda Partridge, Weldon Professor of Biometry at University College LondonTags
The Fibonacci Sequence
Melvyn Bragg and guests discuss the Fibonacci Sequence. Named after a 13th century Italian Mathematician, Leonardo of Pisa who was known as Fibonacci, each number in the sequence is created by adding the previous two together. It starts 1 1 2 3 5 8 13 21 and goes on forever. It may sound like a piece of mathematical arcania but in the 19th century it began to crop up time and again among the structures of the natural world, from the spirals on a pinecone to the petals on a sunflower.The Fibonacci sequence is also the mathematical first cousin of the Golden Ratio – a number that has haunted human culture for thousands of years. For some, the Golden ratio is the essence of beauty found in the proportions of the Parthenon and the paintings of Leonardo Da Vinci. With Marcus du Sautoy, Professor of Mathematics at the University of Oxford; Jackie Stedall, Junior Research Fellow in History of Mathematics at Queen’s College, Oxford; Ron Knott, Visiting Fellow in the Department of Mathematics at the University of Surrey
The Prelude
Melvyn Bragg and guests discuss one of the greatest long poems in the English language – The Prelude. Begun in Northern Germany during the terrible winter of 1798 by a young and dreadfully homesick William Wordsworth, The Prelude was to be his masterpiece - an epic retelling of his own life and the foundation stone of English Romanticism. In language of aching beauty wordsworth expressed thoughts about memory, identity, nature and experience familiar to anybody who has walked alone among the hills. With Rosemary Ashton, Quain Professor of English Language and Literature at University College London; Stephen Gill, University Professor of English Literature and Fellow of Lincoln College, Oxford; Emma Mason, Senior Lecturer in English at the University of Warwick.
Oxygen
Melvyn Bragg discusses the discovery of Oxygen by Joseph Priestley and Antoine Lavoisier. In the late 18th century Chemistry was the prince of the sciences – vital to the economy, it shaped how Europeans fought each other, ate with each other, what they built and the medicine they took. And then, in 1772, the British chemist, Joseph Priestley, stood in front of the Royal Society and reported on his latest discovery: “this air is of exalted nature…A candle burned in this air with an amazing strength of flame; and a bit of red hot wood crackled and burned with a prodigious rapidity. But to complete the proof of the superior quality of this air, I introduced a mouse into it; and in a quantity in which, had it been common air, it would have died in about a quarter of an hour; it lived at two different times, a whole hour, and was taken out quite vigorous.” For the British dissenting preacher, Joseph Priestley, and the French aristocrat, Antoine Lavoisier, Chemistry was full of possibilities and they pursued them for scientific and political ends. But they came to blows over oxygen because they both claimed to have discovered it, provoking a scientific controversy that rattled through the laboratories of France and England until well after their deaths. To understand their disagreement is to understand something about the nature of scientific discovery itself. With Simon Schaffer, Professor in History and Philosophy of Science at the University of Cambridge; Jenny Uglow, Honorary Visiting Professor at the University of Warwick; Hasok Chang, Reader in Philosophy of Science at University College London.
Avicenna
Melvyn Bragg and guests discuss the Persian Islamic philosopher, Avicenna. In the city of Hamadan in Iran, right in the centre, there is a vast mausoleum dedicated to an Iranian national hero. Built in 1952, exactly 915 years after his death, it’s a great conical tower with twelve supporting columns. It’s dedicated not to a warrior or a king but to a philosopher and physician. His name is Ali Al Husayn Ibn-Sina, but he is also known as Avicenna and he is arguably the most important philosopher in the history of Islam. In a colourful career Avicenna proved the existence of god, amalgamated all known medical knowledge into one big book and established a mind body dualism 600 years before Descartes and still found time to overindulge in wine and sex. With Peter Adamson, Reader in Philosophy at King's College London; Amira Bennison, Senior Lecturer in Middle Eastern and Islamic Studies at the University of Cambridge; Nader El-Bizri, Affiliated Lecturer in the History and Philosophy of Science at the University of Cambridge.
Guilt
Melvyn Bragg and guests discuss morality by taking a long hard look at the idea of guilt. The 18th century politician and philosopher Edmund Burke was once moved to comment: “Guilt was never a rational thing; it distorts all the faculties of the human mind, it perverts them, it leaves a man no longer in the free use of his reason, it puts him into confusion.”Guilt is a legal category but also a psychological state and a moral idea. Over the centuries theologians, philosophers and psychologists have tried to determine how it relates to morality, reason and the workings of the mind? The answers seem to cut deeply into our understanding of what it is to be human.With Stephen Mulhall, Fellow and Tutor in Philosophy at New College, Oxford; Miranda Fricker, Senior Lecturer in Philosophy at Birkbeck, University of London; Oliver Davies, Professor of Christian Doctrine at King’s College London
Taste
Melvyn Bragg and guests discuss the 18th century obsession with taste. In the mid 18th century the social commentator, George Coleman, decried the great fashion of his time: “Taste is at present the darling idol of the polite world…The fine ladies and gentlemen dress with Taste; the architects, whether Gothic or Chinese, build with Taste; the painters paint with Taste; critics read with Taste; and in short, fiddlers, players, singers, dancers, and mechanics themselves, are all the sons and daughters of Taste. Yet in this amazing super-abundancy of Taste, few can say what it really is, or what the word itself signifies.”From the pens of philosophers to the interior decor of the middle classes, the idea of good and bad taste shaped decisions about dress, wallpaper, furniture, architecture, literature and much more. The period saw an explosion in the taste industries - the origins of Chippendale furniture, Wedgwood pottery and Christie's auction house - and a similar growth in magazines and journals devoted to the new aesthetic, moral and social guidelines. But taste was also a battle ground that pitched old money against new, the city against the country and men against women. With Amanda Vickery, Reader in History at Royal Holloway, University of London; John Mullan, Professor of English at University College London; Jeremy Black, Professor of History at the University of Exeter
The Arabian Nights
Melvyn Bragg discusses the myths, tales and legends of the Arabian Nights.Once upon a time a wealthy merchant grew hot in the sun and sat down under a tree. Having eaten a date, he threw aside the stone, and immediately there appeared before him a Genie of enormous height who, holding a drawn sword in his hand, approached him, and said, “rise that I may kill thee”. This is from The Arabian Nights, a collection of miraculous tales including Ali Baba and the Forty Thieves and Sinbad the Sailor. Forged in the medieval Arab world, it became so popular in Europe that the 18th century Gothic writer Horace Walpole declared “Read Sinbad the Sailor’s Voyages and you will grow sick of Aeneas”.Its origins are Indian and Persian but it was championed initially by an 18th century Frenchman, Antoine Galland. Celebrated for its fabulous stories, it is a patchwork of sex, violence, magic, adventure, and cruelty – a far cry from the children’s book that it has become. With Robert Irwin, Senior Research Associate at the School of Oriental and African Studies, University of London; Marina Warner, Professor in the Department of Literature, Film and Theatre Studies at the University of Essex; Gerard van Gelder, Laudian Professor of Arabic at the University of Oxford.
The Divine Right of Kings
Melvyn Bragg and guests discuss the Divine Right of Kings. In Shakespeare’s Macbeth, the character Malcolm describes the magical healing powers of the king: “How he solicits heaven, Himself best knows; but strangely-visited people, All swoln and ulcerous, pitiful to the eye, The mere despair of surgery, he cures; Hanging a golden stamp about their necks, Put on with holy prayers...”The idea that a monarch could heal with his touch flowed from the idea that a king was sacred, appointed by God and above the judgement of earthly powers. It was called the Divine Right of Kings. The idea resided deep in the culture of 17th century Britain affecting the pomp of the Stuart Kings, the writings of Milton and Shakespeare and the political works of John Locke. It is a story that involves witches, regicide, scrofula, Macbeth, miraculous portraits and some of the greatest poetry in the English language. With Justin Champion, Professor of the History of Early Modern Ideas at Royal Holloway, University of London; Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London; Clare Jackson, Lecturer and Director of Studies in History at Trinity Hall, Cambridge
Antimatter
Melvyn Bragg and guests discuss Antimatter, a type of particle predicted by the British physicist, Paul Dirac. Dirac once declared that “The laws of nature should be expressed in beautiful equations”. True to his word, he is responsible for one of the most beautiful. Formulated in 1928, it describes the behaviour of electrons and is called the Dirac equation. But the Dirac equation is strange. For every question it gives two answers – one positive and one negative. From this its author concluded that for every electron there is an equal and opposite twin. He called this twin the anti-electron and so the concept of antimatter was born.Despite its popularity with Science Fiction writers, antimatter is relatively mundane in physics – we have created antimatter in the laboratory and we even use it in our hospitals. But one fundamental question remains – why isn’t there more antimatter in the universe. Answering that question will involve developing new physics and may take us closer to understanding events at the origin of the universe. With Val Gibson, Reader in High Energy Physics at the University of Cambridge; Frank Close, Professor of Physics at Exeter College, University of Oxford; Ruth Gregory, Professor of Mathematics and Physics at the University of Durham
Socrates
Melvyn Bragg and guests discuss the Greek philosopher Socrates, acknowledged as one of the founders of Western philosophy. Born in 469 BC into the golden age of the city of Athens, he has profoundly influenced philosophy ever since. In fact, his impact is so profound that all the thinkers who went before are simply known as pre-Socratic.In person Socrates was deliberately irritating, he was funny and he was rude; he didn’t like democracy very much and spent quite a lot of time in shoe shops. He claimed he was on a mission from God to educate his fellow Athenians but has left us nothing in his own hand because he refused to write anything down. With Angie Hobbs, Associate Professor of Philosophy at Warwick University; David Sedley, Laurence Professor of Ancient Philosophy at Cambridge University; Paul Millett, Senior Lecturer in Classics at the University of Cambridge.
Madame Bovary
Melvyn Bragg and guests discuss the literary sensation caused by Gustave Flaubert's novel Madame Bovary. In January 1857 a man called Ernest Pinard stood up in a crowded courtroom and declared, “Art that observes no rule is no longer art; it is like a woman who disrobes completely. To impose the one rule of public decency on art is not to subjugate it but to honour it”. Pinard was no grumbling hack, he was the imperial prosecutor of France, and facing him across the courtroom was the writer Gustave Flaubert. Flaubert’s work had been declared “an affront to decent comportment and religious morality”. It was a novel called Madame Bovary.The story of an adulterous housewife called Emma, Madame Bovary, is a vital staging post in the development of realism. The arguments in court involved a heady brew of art, morality, sex and marriage and ensured the fame of the novel and its author. With Andy Martin, Lecturer in French at the University of Cambridge; Mary Orr, Professor of French at the University of Southampton; Robert Gildea, Professor of Modern History at the University of Oxford
The Pilgrim Fathers
Melvyn Bragg and guests discuss the Pilgrim Fathers and their 1620 voyage to the New World on the Mayflower. Every year on the fourth Thursday in November, Americans go home to their families and sit down to a meal. It’s called Thanksgiving and it echoes a meal that took place nearly 400 years ago, when a group of religious exiles from Lincolnshire sat down, after a brutal winter, to celebrate their first harvest in the New World. They celebrated it in company with the American Indians who had helped them to survive.These settlers are called the Pilgrim Fathers. They were not the first and certainly not the largest of the early settlements but their Plymouth colony has retained a hold on the American imagination which the larger, older, violent and money-driven settlement of Jamestown has not.With Kathleen Burk, Professor of Modern and Contemporary History at University College London; Harry Bennett, Reader in History and Head of Humanities at the University of Plymouth; Tim Lockley, Associate Professor of History at the University of Warwick