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En la prensa de la España del XIX, los crímenes fueron un hit. Les gustaban tanto como hoy nos gusta el True Crime. A la vez fue asentándose la ciencia forense. En esta serie relatamos algunos de los crímenes más famosos de entonces, con mucha música y algunos coros. Y entrevistamos a una criminóloga y a científicos forenses de varias disciplinas: medicina, psicología, antropología, lingüística, biología...Suscríbete a nuestra newsletter y déjanos una propinilla aquí
RA.834 Emerald
Emerald is a name that should be familiar to any Rinse FM devotee—she's been DJing on the UK dance music radio giant since 2014, and has just started a new flagship slot called The Dance Show on Friday nights. The Londoner is a consummate radio DJ, blending together genres and tempos with pitch-perfect mixing and an ear for hooks that makes each track stand out. (She calls herself "genre fluid.") She's said so much in the lengthy, excellent interview below, so we can keep this part brief. Her RA Podcast combines newer favorites from Lauren Flax, Queer On Acid and Neil Landstrumm with older, recently acquired records from DJ Deeon (1994) and FSOM (1992). If this is your introduction, then take a listen and make a note to check out The Dance Show next Friday. And if you already know Emerald, then you know this is gonna be a good one. Read more: http://ra.co/podcast/834 @ emerald-rose
RA.833 Nick León
Nick León is part of a newer generation of Miami producers who infuse modern-day club music with sounds from around the region, everything from Miami bass to reggaeton. In León's case, his most recent—and most exciting—music has focused on beats inspired by reggaeton and its sub-genre perreo, but with a musical palette that speaks to a love of electronic music from Aphex Twin to Burial to music on labels like NAAFI and TraTraTrax. (This is a predilection he shares with DJ Python, whom León just launched a new party with.) It's on the latter label he released the Rompediscoteka EP, one of the canniest genre fusions he's done yet, meant to hark back to the feeling he had when he first discovered reggaeton. (It came with eye-opening remixes from Maral, Kelman Duran and Henzo, producers whose personal-but-global approach mirrors León's own.) He also head a head-turning EP on Future Times, which threw Miami-style electro into the mix, with an ambient touch. Like his productions, the young Miami DJ's sets can range from slow and low to high and tight, and his RA Podcast captures León in peak-time mode. It's a Latin-spin on everything from techno to tech house to cool-kid club music, with selections from Nico, Simisea, Siete Catorce, Ricardo Villalobos and MM adding up to a vibrant and rhythmically restless hour that soars across genres and scenes. Read more: https://ra.co/podcast/833 @NICKLEON
RA.832 Ciel
Toronto's Cindy Li, AKA Ciel, has a knack for balancing warmth and pressure. Her productions and mixes often feel coated in an iridescent gloss, evoking the trippy stylings of '90s UK tech house and the swung drums of classic New York house. In between that, though, there's lots of vigor via sleek electro, rippling trance, barrelling techno and big, bad breakbeats. Her style may lean towards the atmospheric but it's loaded with moxie, giving her the versatility to close out a main room or kick off the afters. Her fluid movements between bouncy basslines, spiraling synth patterns and weightless house grooves are just one facet of her impressive rise as a DJ and producer. When she's not behind the decks, presenting radio shows or working on the excellent Parallel Minds label she runs alongside other Toronto acts Yohei S and Daniel 58, Li throws herself into community work. Committed to diverse dance floors, affordable housing and overall equality in the music industry, she's a hard worker in the realest sense of the phrase. Li's RA mix is a treat. Rolling through scintillating drum work, wonky rhythms and dreamy pads, it feels like quintessential Ciel. In her interview below, she described how she enjoys "the challenge of trying to combine and make cohesive all the diverse styles of music I loved in a DJ set." Judging by this mix alone, it's safe to say that Li succeeded. Read more: http://ra.co/podcast/832 @ciel_dj
RA.831 Madam X
Read more: http://ra.co/podcast/831 @madam_x
RA.830 Roy Davis Jr
The decade-spanning career of Roy Davis Jr. is intrinsically intertwined with the history of house music. As one of the defining voices of Chicago's underground, he's worked both behind the decks and behind-the-scenes. From handling Strictly Rhythm's A&R sector in the '90s to joining seminal production crew Phuture to launching his own Undaground Therapy Muzik label, Davis Jr. isn't just a veteran but a compendium of dance music knowledge. Daft Punk cites him as an influence while the likes of Disclosure, Zed Bias and Waajeed have sought him out for collaborations. He may be best known for his 1998 single Gabriel with Peven Everett—now a garage anthem on both sides of the Atlantic—but his discography and DJ sets go well beyond club hits. Weaving in soul, gospel, disco, techno and acid into a deep house framework, he marries raw funk, plush melodies, hypnotic synths and stripped-down arrangements. All these elements are beautifully captured on his RA Podcast. Moving from a state of eyes-closed bliss to body-moving grooves, the near two-hour session is as grounding as it is free-floating. Spiritual, sensual and tightly mixed, it's a lesson in multifaceted house music.
RA.829 HAAi
There's a track on HAAi's upcoming debut album, Baby, We're Ascending, called "Louder Always Better." That kind of sums up her approach right there. (See also: "Biggest Mood Ever.") Since her first record, 2017's "Be Good" her approach to dance music has been to make as dense, overwhelming and uplifting as possible. Much has been made of her background in psychedelic rock, which definitely informs records like the muggy, intense Motorik Voodoo Bush Doof Musik, but it's not the whole story. A better point of reference might be DJ Harvey lost in the Australian desert, but comparisons are beside the point. At this point, HAAi is completely unique. The Australian producer has made quite a name for herself as a DJ in her adopted hometown of London, and while her album shoots off in all directions—from ecstatic rave-pop to sultry stunners—her RA Podcast captures the spark that makes her such a beloved force behind the decks. Weaving powerful techno from artists like Atrip and Piska Power with weirder, adventurous music courtesy of Cocktail Party Effect and Sha Sha Kimbo—plus a few tastes of HAAi's new album—it's an eclectic mix that's as windy and unpredictable as her records. Plus, it ends with classic track by The Cure. That's just good taste.
RA.828 Louie Vega
Louie Vega shouldn't need an introduction, but we'll do it anyways. The Bronx-born Puerto Rican artist embodies the soulful sound of New York house music, and he's been doing it since the '80s. His history features a litany of legendary names and clubs, from the Devil's Nest to his much-vaunted residency at The Sound Factory in Manhattan, and he's made music with the likes of Todd Terry, Mood II Swing and Barbara Tucker. But it's with Kenny "Dope" Gonzalez that Vega made his most cherished and influential work as the duo Masters Of Work, putting out huge singles and making house remixes for some of the most iconic names in '90s pop music. To listen Vega's discography, especially as part of Masters At Work, is to hear the evolution of house music and garage (yes, both US and UK). It's difficult to overstate the impact those '90s records had on New York and beyond, and they're still some of the most swinging, undeniable house records ever made. Just try playing a MAW Dub for a newbie and see their reaction. House music has been Vega's lifelong mission, and almost four decades in, he's still refining his craft, moving towards ever-jazzier, ever more soulful sounds. His RA Podcast shows off some of his favorite tracks from contemporaries like Mood II Swing, as well as his band Elements Of Life and a handful of new tracks from his forthcoming album, Expansions In The NYC, which aims to capture the sound of his club night of the same name. You'll hear lush live instrumentation, powerful vocals and, of course, those addictive, sometimes skippy house beats—the sound of a master at work. Read more: http://ra.co/podcast/828 @nuyoricansoulnyc
RA.827 NIKS
To an international audience, NIKS might be best known as one of the cofounders of Black Artist Database, but she's also an incredible DJ. And public speaker. Over the past few years, through a mix of activism, thought and DJing, the London selector has created an all-encompassing approach to her artistry that centers dance music, social justice and an endless desire to uplift those around her, especially Black artists. Through Black Artist Database, NIKS has created a resource to support Black artists from around the world. What started as a spreadsheet called Black Bandcamp has become a fully-fledged platform with editorial, mixes and, of course, the powerful directory of artists that started it all to begin with. Outside of that, NIKS curates panels, hosts and gives talks, helps run a radio station called RTM and DJs. Her RA Podcast is inspired by a specific night she played in Manchester, but it's also a wonderful snapshot of her style, connecting the dots between Drexciya and Octave One, Nicola Cruz and Seth Troxler, Lyric Hood and James Bangura, and an electrifying section that weaves between tracks from X-Coast and X-Press 2. It's as thoughtful and intentional as everything else she does, an hour-and-a-half in the world of one of London's brightest stars. Read more: http://ra.co/podcast/827 @niksbad
RA.826 Physical Therapy
Physical Therapy has as many vibes as he does aliases. You never really know what you're going to get from his sets—you can probably count on a bit of UK garage and some breakbeats, but beyond that, it's a free-for-all. He's gone through phases ranging from DIY pop edits to grayscale Berlin techno to all the fantastic and unpredictable music on his label Allergy Season to his latest EP of vocal-heavy 2-step tracks, part of a recent move towards more emotional dance music that he says captures his "twee" side. If there's anyone that truly believes in the power of crying on the dance floor, it's him. He's an expert at themed mixes, pulling together loosely categorized sections of his vast and sometimes hilarious collection. (Other sets, like his revered Honcho Campout recording, are gloriously all over the place.) But for his RA Podcast he's gone straight for the dance floor, choosing the kind of thing he would play at a club rather than one of his NTS sets. It's typically era-spanning and adventurous, yet woven together with an expert touch, running from an underrated Texas dubstep label (Pushing Red) to old-school IDM to vintage Miss Kittin and even an obscure (or just forgotten) turn-of-the-millennium cover of "How Soon Is Now" that would only really sound right in his hands. Read more: http://ra.co/podcast/826 @physical-therapy
RA.825 Ahadadream
The first weekend of February was a big one for Ahad Elley, AKA Ahadadream. On the Friday, he was featured in Vogue India alongside other South Asian artists and crews currently lighting up UK dance music. 24 hours later, he launched a residency at London club Colour Factory, playing to a packed crowd who, during a brief power cut, chanted his name like adoring teenagers. To outsiders, this might feel like a story of overnight success, but Elley has been grafting away for years: DJing, producing, running a label (More Time), throwing parties (No ID) and, perhaps most importantly of all, co-founding the first edition of London festival Dialled In, which launched last September. As well as showcasing a wealth of South Asian talent, the event fostered a new community of ravers who, in Elley's words, "felt seen in a club space for the first time." When he was younger, Elley shied away from centering his Pakistani heritage in his music. Today, it's a huge part of his identity, from the events he runs and the music he makes to the tunes he plays. But, as RA 825 shows, his DJ sets also go way beyond South Asia and London, spanning gqom, Egyptian percussion, Portuguese Afro house and classic Peverelist. This is Elley at peak time, the kind of thing you might hear at his next Colour Factory gig. "The idea was just to include tracks that bring me joy and make me move," he said. "I hope they do the same for you." Read more: http://ra.co/podcast/825 @ahadadream
RA.824 Nicolá Cruz - 2021.03.21
Nicolá Cruz is a master of meaningful engagement. Whether he's studying North African melodies or spiritual chants, he shows profound respect for a given sound's cultural context. This is evident across his entire discography. His earliest releases on Multi Culti and ZZK Records layerered traditional woodwinds and percussion with folktronica and tribal house, reflecting a holistic understanding of global rhythms. His more recent work takes an adventurous, polyglot approach to club music, with EPs on Highlife, Rhythm Section and Tra Tra Trax exploring breaks, acid and other spirally sounds. But even his deep, drum-heavy techno cuts feel unusually organic, vibrant polyrhythms bursting with character. For his RA Podcast, the Ecuador-based producer shows off his rave education. This display of futuristic chuggers and electro—Marcela Dias Sindaco's "A Flor Da Pele" is a particular highlight—speaks to Cruz's deep appreciation for body music. He treats dance floor jams with the same nuance as culturally significant sounds, a testament to his versatility, knowledge and experience. Journeying across acid basslines and dubby electronics, the 73 minute-long ride flirts with psychedelia, distortion and experimental bleeps, with many of the selections reflecting his own taste for colorful patterns. It's energetic and warm, flush with life, until the very end. Read more: http://ra.co/podcast/824 @nicolacruz
RA.823 Clark
Chris Clark's music is hard to describe, but if you wanted to explain it to an electronic music fan, you might use the dreaded term "IDM" to encompass the many strange and alluring records, some frantic, some chill, the UK producer has put out through Warp over the years. We can be a bit more specific: he uses field recordings, out-there drum patterns and all kinds of hardware (seriously, there's a lot) to make make meticulously processed music, some of which you can dance to. Lately, though, he's turned his attention to classical music, scoring films and televisions shows and culminating in last year's Playground In A Lake for vaunted label Deutsche Grammophon, which featured guests like AFRODEUTSCHE and Oliver Coates and a member of Grizzly bear on a moving, string and horns-led suite about climate change. You hear all these ideas at once on Clark's stirring RA Podcast, which features music, as he explains, from 1922 all the way to 2022. Classical rubs elbows with Burial and Ricardo Villalobos, as once familiar tracks melt into new (mis)shapes. It also features plenty of Clark originals—maybe some glimpsse of the new album? The best part isn't even the formidable selections, but the way he puts it altogether. Far from a seamless DJ mix, this one is full of peaks and valleys and clever transitions that'll make you check the tracklist and wonder what you just heard. It's the kind of all-over-the-place mix that captures the brilliance of Clark's in a DJ format. Maybe he should do this more often. Read more: https://ra.co/podcast/823
RA.822 GiGi FM
GiGi FM is a trained dancer, which gives her a deeper insight into the intrinsic relationship between music and bodily movement. You can read a lot more about her philosophy and approach in the interview below, but you don't even need to know about it to hear this in her RA Podcast—a collection of swirling deep techno that rivals anything made by the usual cohort of "hypnotic" techno heads. Looking at the tracklist doesn't really do it justice, but the names involved give you an idea of what to expect: Varuna, ASC, Donato Dozzy, The Orb, Sunju Hargun. This is techno that ripples rather than bludgeons, that moves with an ethereal grace, where tracks bleed into one another beautifully, with a few surprises, too. While you're here, you should check out her Magnetite EP for Bambounou's label Bambe, already one of the young year's most bewitching techno records. But if this is your introduction, then turn off the lights, light a candle or some palo santo, and sink into two hours of your new favorite techno DJ. Read more: http://ra.co/podcast/822 @ gigi-fm
RA.821 Sunju Hargun
Southeast Asia is made up of diverse dance music markets that feel strongest when united. A steady stream of cross-border collaborations has come to define the region's underground nightlife, with Bangkok-based Sunju Hargun at the forefront of many of these exchanges. Over the years, he's honed a signature sound of minimal techno, tribal rhythms and deep downtempo while playing in Singapore, Indonesia and Vietnam. Inspired by the traditional music of these countries, his DJ sets and productions are lush tonal sound baths, with plenty of nature references. Shimmering ambient evokes misty mountain tops while whiffs of Goa trance nod to beach sunrises. His current project, Siamese Twins Records, is also rooted in pan-Asian connections. A platform to explore old-world chants and ceremonial percussion, the label hosts much of Hargun's own work, including Bollywood-inspired acid made as Mogambo, a production outfit he runs with Jerom Doudet. All these myriad styles are present on Hargun's RA Podcast, an hour-long trip where flickering synths reverberate like gongs before morphing into an amorphous mass of dub techno, jungle noises and meandering modular sequences. Read more: http://ra.co/podcast/821
RA.820 DJ Lag
If gqom has a CEO, it's probably DJ Lag. The South African artist has found enormous success since teaching himself to produce and DJ as a teenager in Durban, to the point that he famously worked with Beyoncé on the Lion King soundtrack. His style of gqom, a heaving, powerful type of club music, has become sleek and often catchy, growing from classic tracks like "Ice Drop" into thrilling hybrids like "Lucifer," his collaboration with amapiano artist Lady Du. Like so much dance music around the world at this point, DJ Lag's newest productions are informed by the red-hot, ultra-suave sound of amapiano, another South African-born genre. His long-awaited debut album, Meeting With The King, features plenty of flirtations with amapiano and house styles, working with some of South Africa's most talented artists and coming up with a sound he's christened Gqom 2.0. You can hear DJ Lag's expansive, exciting vision in his RA Podcast, an hour of cutting-edge South African dance music that lays out some of the sounds (and artists) you'll be hearing all year, from amapiano to Afrotech and Afro house and many intriguing things in between. Read more including an interview with DJ Lag: https://ra.co/podcast/820